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| | X [ mp3 ]album: Progressive Attack, Vol.4.1
format: mp3
release: 1996 year
bitrate: 192
length: 72:36 min
| | |
 Tracks of Progressive Attack, Vol.4.1:
 The Theme.mp3
Feel My Body.mp3
Psychic Bounty Killaz.mp3
Pact.mp3
Forerunner.mp3
Klubbhopping.mp3
America.mp3
I Want You.mp3
Close Your Eyes.mp3
Gospel 2000.mp3
You Ve Got To Be You.mp3
Real Vibration.mp3
Fonky Muzic.mp3
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| | X [ mp3 ]album: Italo Fresh Hits 2003
format: mp3
release: 2003 year
bitrate: 192
length: 155:07 min
| | |
Tracks of Italo Fresh Hits 2003:Tu Es Foutu (Original Extended).mp3
Back To Cali (Original Claxixx).mp3
Klubbhoppers - Rain (DJ Floh Radio Mix).mp3
Black Box Feat Loleatta Holloway - Ride On Tim.mp3
Lucky (in My Life) (Radio Cut).mp3
Tanya & Daddy - Remember (Radio Version).mp3
Floorfilla - Technoromance (Radio).mp3
Breezze - Ready 4 Love (Radio Edit).mp3
Benassi Bros Feat Paul French - Don't Touch To.mp3
Akira - No More Lies (Radio 1).mp3
Like A Virgin (Radio Edit).mp3
Katla - Soy Una Aventurera (Original Edit.mp3
Neuro - Mazy (Original Edit).mp3
Mario Piu Feat Maurice - Love Game (on Air Mix.mp3
Teknolova - The Legend (Radio Mix).mp3
Santos - Voices Of The Ocean (Radio Cut).mp3
Supersonika - Alien Code (Bidi Bodi Bidi Bu).mp3
DJ Cerla - Yo DJ (Radio Edit).mp3
Joy Kitikonto - Joy Don't Stop (on Air Mix).mp3
Acelerando (Radio Edit).mp3
Ago - Put On Your Red Shoes (Video Edit).mp3
Sunstorm - Fable (Radio Edit).mp3
Prezioso Feat Marvin - Somebody (Radio Mix).mp3
Al.Ben - Run To Me (the Cousins Original Radio.mp3
Buff-Y - Gypsy Woman (Radio Mix).mp3
F.R. Feat Jenny B - Love Is The Music (Radio O.mp3
Playahitty Vs Sasha De Vries - The Summer Is M.mp3
J White - World Groove.mp3
49ers - (Escape) My Heart (Get Wreck Mix).mp3
Square Heads - Happy (Radio Edit).mp3
Clubzone Feat Alicia - Rainy Day (Trance Singl.mp3
You Spin Me Round (Like A Re.mp3
Marco De Jonge Feat Ice MC - Think About The W.mp3
DJ Valium Feat Michael Zager - Let's All Chant.mp3
Benny B - Satisfaction (DJ I.C.O.N. Remix).mp3
Whigfield - Amazing And Beautiful (Radio Versi.mp3
United Italians Of Brooklyn - The Sicilian Ass.mp3
Prime Time - Ocean Of Crime (We're Movin On).mp3
Miko Mission - Two For Love (Vocal Version).mp3
| | | | 
| | X [ mp3 ]album: The X-Files: The Album - Fight The Future
format: mp3
release: 1998 year
bitrate: 192
length: 67:33 min
| | |
Tracks of The X-Files: The Album - Fight The Future:One.mp3
Flower Man.mp3
Walking After You.mp3
Beacon Light.mp3
Invisible Sun.mp3
Deuce.mp3
One More Murder.mp3
More Than This.mp3
Hunter.mp3
Horses.mp3
Crystal Ship.mp3
Black.mp3
Teotihuacan.mp3
X-Files Theme.mp3
| | | | 
| | X [ mp3 ]album: The Queen Of The Damned
format: mp3
release: 2002 year
bitrate: 192
length: 61:05 min
| | |
Tracks of The Queen Of The Damned:Not Meant For Me.mp3
Forsaken.mp3
System.mp3
Change.mp3
Redeemer.mp3
Dead Cell.mp3
Penetrate.mp3
Slept So Long.mp3
Down With The Sickness.mp3
Cold.mp3
Headstrong.mp3
Body Crumbles.mp3
Excess.mp3
Before I'm Dead.mp3
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News from our arhive: Zoobombs Blowing Up In Canadian Venues |
If anyone is dying to meet the Zoobombs before one of their upcoming shows in Ontario and Quebec here's what you should do — find the coffee shop nearest to the venue and wait patiently. According to guitarist and singer Don Matsuo, the only thing the Japanese quintet relies on to fuel their mind-boggling performances are a couple of cups of java, a half-dozen apple fritters and some good conversation.
"We always try and go to a café to eat donuts and drink coffee before a show," explains Matsuo. "We like to talk about how everyone's day has gone and try to find something to laugh about." Spending time together and truly getting to know each other is high on The Zoobombs' list of priorities. Matsuo feels that interacting with one another away from the group has a positive effect and ultimately strengthens the band. "The relationship between all of us is the most important thing for us," he says. "If we have no understanding of each other, trying to make music will be a struggle. However, if we respect and trust one another the music will be very beautiful."
The Tokyo-based act released their most recent effort, New San Francisco, in Japan this past October. Since their inception in 1994, the group have constantly been tweaking their songwriting process in order to further develop their sound. This time around the band decided to let the bulk of the album come together naturally. With only four of the record's nine tracks written, they headed into the studio with jazz producer Syuji Kitamura. Over the next two days they just jammed together, recording over four hours of new music from which the remaining five songs were chosen.
The end result is the band's most diverse and expansive work yet. Mixing elements of rock, jazz, psychedelic pop and half a dozen other music styles, New San Francisco is damn near impossible to pigeonhole into any one genre. Although no North American release date has been scheduled, Matsuo is hopeful that someone will put it out here soon. Unfortunately the band will not be selling any copies of the record at their shows. They will, however, be bringing an album that was previously available only to members of their fan club for attendees to purchase. Entitled Vamos A Bailar, it's comprised completely of unreleased tracks and also includes early versions of a few of the songs on New San Francisco. The Zoobombs' new approach to making music has been incorporated into their live set as well. Performing without a set list, the band play whatever feels right, letting the music travel in whatever direction it chooses. Matsuo says that doing this allows the group to constantly create something new and makes things more exciting for both the spectators and the band. He admits that occasionally he is astounded by how the music evolves.
"Our way of thinking about playing and making music is very different from the past," he says. "We know that the music is born inside of us. But we don't make music, we catch it. We are always surprised to find how the music is changing. Sometimes it takes us somewhere we never imagined. That is a big surprise because we can see the music's ability. It could be said that through this we can see the ability of human beings. Once through jamming, our music changed into a Turkish rhythm. It was a very magical experience because I never listen to music like that." |
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