| | Van Der Graaf Generator [ mp3 ]album: The Aerosol Grey Machine
format: mp3
release: 1968
bitrate: 256
length: 54:03 min
|
| |
 Tracks of The Aerosol Grey Machine:
 Afterwards.mp3
Orthenthian Street Part 1 & 2.mp3
Running Back.mp3
Into A Game.mp3
Aerosol Grey Machine.mp3
Black Smoke Yen.mp3
Aquarian.mp3
Necromancer.mp3
Octopus.mp3
The People You Were Going To.mp3
Firebrand.mp3
| | | |
| | Van Der Graaf Generator [ mp3 ]album: The Least We Can Do Is Wave To Each Over
format: mp3
release: 1969
bitrate: 256
length: 43:46 min
|
| |
Tracks of The Least We Can Do Is Wave To Each Over:Darkness (11,11).mp3
Refugees.mp3
White Hammer.mp3
Whatever Would Robert Have Said.mp3
Out Of My Book.mp3
After The Flood.mp3
| | | |
| | Van Der Graaf Generator [ mp3 ]album: H To He Who Am The Only One
format: mp3
release: 1970
bitrate: 256
length: 47:14 min
|
| |
Tracks of H To He Who Am The Only One:Killer.mp3
House With No Door.mp3
The Emperor In His War-Room.mp3
Lost.mp3
Pioneers Over C..mp3
| | | |
| | Van Der Graaf Generator [ mp3 ]album: Pawn Hearts
format: mp3
release: 1971
bitrate: 256
length: 45:06 min
|
| |
Tracks of Pawn Hearts:Lemmings.mp3
Man-Erg.mp3
A Plague Of Lighthouse Keepers.mp3
| | | |
| | Van Der Graaf Generator [ mp3 ]album: Still Life
format: mp3
release: 1976
bitrate: 256
length: 44:56 min
|
| |
Tracks of Still Life:Pilgrims.mp3
Still Life.mp3
La Rossa.mp3
My Room (Waiting For Wonderland).mp3
Childlike Faith In Childhood's End.mp3
| | | |
| | Van Der Graaf Generator [ mp3 ]album: World Record
format: mp3
release: 1976
bitrate: 320
length: 52:29 min
|
| |
Tracks of World Record:When She Comes.mp3
A Place To Survive.mp3
Masks.mp3
Meurglys III (The Songwriter's Guild).mp3
Wondering.mp3
| | | |
| | Van Der Graaf Generator [ mp3 ]album: The Quiet Zone / The Pleasure Dome
format: mp3
release: 1977
bitrate: 320
length: 43:29 min
|
| |
Tracks of The Quiet Zone / The Pleasure Dome:Lizard Play.mp3
The Habit Of The Broken Heart.mp3
The Siren Song.mp3
Last Frame.mp3
The Wave.mp3
Cat's Eye Yellow Fever (Running).mp3
The Sphinx In The Face.mp3
Chemical World.mp3
The Sphinx Returns.mp3
| | | |
![Present [CD 2] mp3](http://84.252.142.71/covers/small/28176.jpg)
| | Van Der Graaf Generator [ mp3 ]album: Present [CD 2]
format: mp3
release: 2005
bitrate: 320
length: 65:22 min
|
| |
Tracks of Present [CD 2]:Vulcan Meld.mp3
Double Bass.mp3
Slo Moves.mp3
Architectural Hair.mp3
Spanner.mp3
Crux.mp3
Manuelle.mp3
'eavy Mate.mp3
Homage To Tea.mp3
The Price Of Admission.mp3
| | | |
![Present [CD 1] mp3](http://84.252.142.71/covers/small/28177.jpg)
| | Van Der Graaf Generator [ mp3 ]album: Present [CD 1]
format: mp3
release: 2005
bitrate: 320
length: 37:31 min
|
| |
Tracks of Present [CD 1]:Every Bloody Emperor.mp3
Boleas Panic.mp3
Nutter Alert.mp3
Abandon Ship!.mp3
In Babelsberg.mp3
On The Beach.mp3
| | | |
| | Van Der Graaf Generator [ mp3 ]album: Godbluff
format: mp3
release: 1975
bitrate: 192
length: 37:32 min
|
| |
Tracks of Godbluff:The Undercover Man.mp3
Scorched Earth.mp3
Arrow.mp3
The Sleepwalkers.mp3
| | | |
| | Van Der Graaf Generator [ mp3 ]album: Bless The Baby Born Today
format: mp3
release: 2000
bitrate: 202
length: 35:54 min
|
| |
Tracks of Bless The Baby Born Today:Killer (Live July 1971).mp3
Darkness (Live July 1971).mp3
La Rossa (Live April 1976).mp3
Still Life (Live April 1976).mp3
| | | |
News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
|
