Most Popular Albums
Feel Good Inc.
Gorillaz
Don't Phunk With My Heart
The Black Eyed Peas
The Cookbook
Missy Elliott
X-Y
Coldplay
A Tribute To Outkast
Outkast
| | The Andrews Sisters download mp3 | |  | 
| | The Andrews Sisters [ mp3 ]album: Rhum And Coca-Cola
format: mp3
release: 1996
bitrate: 320
length: 55:57 min
| | |
 Tracks of Rhum And Coca-Cola:
 Rhum And Coca-cola.mp3
Sing, Sing, Sing.mp3
Bei Mir Bist Du Schoen.mp3
The Woodpecker Song.mp3
Beer Barrel Polka.mp3
Lullaby Of Broadway.mp3
Said, Si Si.mp3
Rhumboogie.mp3
Joseph, Joseph.mp3
Ti-pi-tin.mp3
Boogie Woogie Bugle Boy.mp3
Sonny Boy.mp3
Oh, Johnny! Oh, Johnny!.mp3
Begin The Beguine.mp3
Tuxedo Junction.mp3
Three Little Sisters.mp3
Strip Polka.mp3
Shoo, Shoo, Baby.mp3
Tico-Tico.mp3
In The Mood.mp3
| | | | 
| | The Andrews Sisters [ mp3 ]album: The Polar Express
format: mp3
release: 2004 year
bitrate: 192
length: 46:14 min
| | |
Tracks of The Polar Express:The Polar Express.mp3
When Christmas Comes To Town.mp3
Rockin' On Top Of The World.mp3
Believe.mp3
Hot Chocolate.mp3
Spirit Of The Season.mp3
Seeing Is Believing.mp3
Santa Claus Is Comin' To Town.mp3
White Christmas.mp3
Winter Wonderland.mp3
It's Beginning To Look Like Christmas.mp3
Silver Bells.mp3
Here Comes Santa Claus (Right Down Santa Claus Lane).mp3
Suite From The Polar Express.mp3
| | | |
News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
|
| | | | |
| |
