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| | Talamasca download mp3 | |  | 
| | Talamasca [ mp3 ]album: Zodiac
format: mp3
release: 2003
bitrate: 320
length: 78:38 min
| | |
 Tracks of Zodiac:
 Aries.mp3
Taurus.mp3
Gemini.mp3
Cancer.mp3
Leo.mp3
Virgo.mp3
Libra.mp3
Scorpio.mp3
Sagittarius.mp3
Capricorn.mp3
Aquarius.mp3
Pisces.mp3
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| | Talamasca [ mp3 ]album: Musica Divinorum
format: mp3
release: 2001
bitrate: 192
length: 73:42 min
| | |
Tracks of Musica Divinorum:Psychedelic Knights.mp3
Magnetic Fields.mp3
Insanity.mp3
The Racer.mp3
Musica Divinorum.mp3
The Old School.mp3
Time Simulation.mp3
Why Not.mp3
Joint Oclock.mp3
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| | Talamasca [ mp3 ]album: Made In Trance
format: mp3
release: 2004
bitrate: 256
length: 75:23 min
| | |
Tracks of Made In Trance:The Awakening (feat. Nomad).mp3
Unknown (feat. Life Extension).mp3
Hypnotic Control.mp3
Action (feat. Schyzotrop).mp3
Kung Fu Lesson (feat. DJ Ananda).mp3
A Frenchman In Cape Town.mp3
Lestat Sound Development.mp3
Time Hunter.mp3
The Messenger (feat. DJ Neshama).mp3
| | | | 
| | Talamasca [ mp3 ]album: Beyond The Mask
format: mp3
release: 2000
bitrate: 192
length: 72:28 min
| | |
Tracks of Beyond The Mask:The Hunted Becomes The Hunter.mp3
The Flow.mp3
Wake Up!.mp3
Drops Of Madness.mp3
Strangers.mp3
Telepathic Atmosphere.mp3
Are You The Machines.mp3
Halloween.mp3
Beyond The Mask.mp3
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| | Talamasca [ mp3 ]album: Illusion World
format: mp3
release: 2005
bitrate: 187
length: 35:47 min
| | |
Tracks of Illusion World:Illusion World.mp3
Odyssey.mp3
Illusion World (Radio Edit).mp3
| | | | 
| | Talamasca [ mp3 ]album: Psychodelic
format: mp3
release: 2000 year
bitrate: 256
length: 73:27 min
| | |
Tracks of Psychodelic:Biologic.mp3
Wizzi Wizzy.mp3
Back Of The World.mp3
Coca.mp3
Furious.mp3
Skyliner.mp3
Believe.mp3
Alien Pump Remix.mp3
| | | |
News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
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