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| | Soopafly download mp3 | |  | 
| | Soopafly [ mp3 ]album: DJ Whoo Kid & Snoop Dogg: Welcome To The Chuuch Volume 3 format: mp3 release: 2003 year bitrate: 192 length: 45:07 min
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Tracks of DJ Whoo Kid & Snoop Dogg: Welcome To The Chuuch Volume 3:
Intro.mp3
Get Done All Up.mp3
Many Many.mp3
Cars Ride By.mp3
Don't Start.mp3
You Don't Wanna Play Me.mp3
Freestyle (Hoes).mp3
Dick Will Do.mp3
I'm Fly.mp3
Tell Me What You Want.mp3
Chronic.mp3
Don't Fall Asleep.mp3
One Day At A Time.mp3
Snoop 4 Prezid.mp3
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| | Soopafly [ mp3 ]album: The Wash format: mp3 release: 2001 year bitrate: 192 length: 68:49 min
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Tracks of The Wash:
On The Boulevard.mp3
Benefit Of The Doubt.mp3
Blow My Buzz.mp3
Bring 2.mp3
Bad Intentions.mp3
Get Fucked Up With Me.mp3
My High.mp3
Holla.mp3
Bubba Talk.mp3
Good Lovin'.mp3
Riding High.mp3
Gotta Get Dis Money.mp3
Don't Talk Shit.mp3
Everytime.mp3
Str8 West Coast.mp3
No.mp3
The Wash.mp3
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| | Soopafly [ mp3 ]album: R&G - Rhythm And Gangsta format: mp3 release: 2004 year bitrate: 192 length: 77:53 min
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Tracks of R&G - Rhythm And Gangsta:
(Intro) I LOVE TO GIVE YOU LIGHT.mp3
BANG OUT.mp3
DROP IT LIKE IT'S HOT.mp3
CAN I GET A FLICC WITCHU.mp3
UPS & DOWNS.mp3
THE BLINDNESS.mp3
SNOOP D.O. DOUBLE G.mp3
LET'S GET BLOWN.mp3
STEP YO GAME UP.mp3
PERFECT.mp3
WBALLZ (Interlude).mp3
FRESH PAIR OF PANTIES ON.mp3
PROMISE I.mp3
OH NO.mp3
CAN YOU CONTROL YO HOE.mp3
SIGNS.mp3
I'M THREW WITCHU.mp3
PASS IT PASS IT.mp3
GIRL LIKE U.mp3
O THANG ON ME.mp3
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News from our arhive: Releases:50 Cent, Mando Diao, The Cape May |
50 CENT The Massacre (Shady/Aftermath/Interscope/Universal) On the strength of a multi-platinum debut record, 50 Cent got rich and didn’t die trying and now the chiseled superstar isn’t looking to mess with the formula. The Massacre beats the usual gangsta tropes to death — Fiddy will kill you if you mess with him, Fiddy’s got lots of money and Fiddy can get any "bitch" he wants. He does deserve credit for doing most of the heavy lifting — The Massacre is mercifully light on guest cameos — and for his charismatic command of the mic, but these skills are wasted on a record that celebrates street life without saying anything new about it. 50 FOOT WAVE Golden Ocean (4AD/Beggars) Someone once wrote that the holy trinity of rock is comprised of The Beatles, The Who and The Pixies. If Golden Ocean is any indication, then a career can be fashioned by aping just one of these triumvirates. 50 Foot Wave swipe The Pixies playbook wholesale, swapping Frank Black’s manic singing with Kristin Hersh’s (Throwing Muses, soloist) gravelly, Janis Joplin-gone-stark-raving-mad caterwauling. This is the antithesis of the punk ethos — instead of inspiration before musical talent, these guys deliver technical expertise with tired, retread concepts. It’s bands like 50 Foot Wave who make the recent Pixie reformation redundant. BELINDA BRUCE Dream Yourself Awake (Maximum/Universal) The first album from the Vancouver-based Belinda Bruce makes for a great campfire soundtrack, drifting along on gentle, unassuming melodies and low-fi intimacy. Bruce’s voice isn’t a powerhouse instrument, especially compared with a couple of certain Sarahs who traffic in the same kind of sound, but when it’s laid over softly-plucked guitars and brooding cellos it takes on a uniquely ethereal quality. Though it too often displays the singer’s maddening tendency to under-enunciate and murk up her lyrics, Dream Yourself Awake introduces Bruce as a master of grown-up lullabies and a worthwhile addition to the female singer-songwriter tradition. |
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