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| | Sam Obernik download mp3 | |  | 
| | Sam Obernik [ mp3 ]album: 538 Dance Smash Hits Autumn 2002 format: mp3 release: 2002 year bitrate: 192 length: 72:40 min
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Tracks of 538 Dance Smash Hits Autumn 2002:
Because The Night.mp3
Tu Es Foutu.mp3
Mon Coeur Resiste Encore.mp3
It Just Won.mp3
Luv Da Sunshine.mp3
643 (Love....mp3
Diving.mp3
She Moves (La La La).mp3
E.mp3
Free.mp3
The Anthem 2002.mp3
Love At First Sight.mp3
Set U Free.mp3
Summer In The City.mp3
Running.mp3
Voyage Voyage.mp3
Time After Time.mp3
Summer On Your Radio.mp3
Begin To Wonder.mp3
Tic Toc.mp3
Cafe Del Mar (Cafe Del Marco...).mp3
| | | | ![Ministry Of Sound: Clubbers Guide 2004 [CD 2] mp3](http://84.252.142.71/covers/small/12051.jpg)
| | Sam Obernik [ mp3 ]album: Ministry Of Sound: Clubbers Guide 2004 [CD 2] format: mp3 release: 2004 year bitrate: 192 length: 77:48 min
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Tracks of Ministry Of Sound: Clubbers Guide 2004 [CD 2]:
Somebody To Love.mp3
Good Luck.mp3
Give It Away.mp3
Cannot Contain This.mp3
Stand Back.mp3
Rocking Music.mp3
Step Right Up.mp3
Stay.mp3
Young Hearts.mp3
Make Your Move.mp3
I Like Love (I Love Love).mp3
Sex And Sun Part III.mp3
Voices.mp3
I Can Be This.mp3
Supernatural Thing.mp3
Feels Like Love.mp3
Go Down.mp3
The Push (Far From Here).mp3
Suite Heart.mp3
Ride.mp3
| | | | ![Dave Pearce Dance Anthems 2004 [CD 1] mp3](http://84.252.142.71/covers/small/13127.jpg)
| | Sam Obernik [ mp3 ]album: Dave Pearce Dance Anthems 2004 [CD 1] format: mp3 release: 2004 year bitrate: 128 length: 74:59 min
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Tracks of Dave Pearce Dance Anthems 2004 [CD 1]:
Give It Away.mp3
Somebody To Love Salt Shaker Remix.mp3
Love Me Right (Oh Sheila).mp3
Good Luck.mp3
Take Control.mp3
Straight Ahead.mp3
Into The Night.mp3
You Don't Know Me.mp3
It Just Won't Do.mp3
Shake It (Move A Little Closer).mp3
E Samba.mp3
Stand Back.mp3
Get Get Down.mp3
In And Out Of My Life (Original Vocal Mix).mp3
Can't Get Enough (Vocal Club Edit).mp3
Praise You.mp3
You're Not Alone.mp3
Let The Sun Shine.mp3
Point Of View.mp3
Spin Spin Sugar (Armands Dark Garage Mix).mp3
Anthem.mp3
Move Your Body.mp3
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News from our arhive: Releases:50 Cent, Mando Diao, The Cape May |
50 CENT The Massacre (Shady/Aftermath/Interscope/Universal) On the strength of a multi-platinum debut record, 50 Cent got rich and didn’t die trying and now the chiseled superstar isn’t looking to mess with the formula. The Massacre beats the usual gangsta tropes to death — Fiddy will kill you if you mess with him, Fiddy’s got lots of money and Fiddy can get any "bitch" he wants. He does deserve credit for doing most of the heavy lifting — The Massacre is mercifully light on guest cameos — and for his charismatic command of the mic, but these skills are wasted on a record that celebrates street life without saying anything new about it. 50 FOOT WAVE Golden Ocean (4AD/Beggars) Someone once wrote that the holy trinity of rock is comprised of The Beatles, The Who and The Pixies. If Golden Ocean is any indication, then a career can be fashioned by aping just one of these triumvirates. 50 Foot Wave swipe The Pixies playbook wholesale, swapping Frank Black’s manic singing with Kristin Hersh’s (Throwing Muses, soloist) gravelly, Janis Joplin-gone-stark-raving-mad caterwauling. This is the antithesis of the punk ethos — instead of inspiration before musical talent, these guys deliver technical expertise with tired, retread concepts. It’s bands like 50 Foot Wave who make the recent Pixie reformation redundant. BELINDA BRUCE Dream Yourself Awake (Maximum/Universal) The first album from the Vancouver-based Belinda Bruce makes for a great campfire soundtrack, drifting along on gentle, unassuming melodies and low-fi intimacy. Bruce’s voice isn’t a powerhouse instrument, especially compared with a couple of certain Sarahs who traffic in the same kind of sound, but when it’s laid over softly-plucked guitars and brooding cellos it takes on a uniquely ethereal quality. Though it too often displays the singer’s maddening tendency to under-enunciate and murk up her lyrics, Dream Yourself Awake introduces Bruce as a master of grown-up lullabies and a worthwhile addition to the female singer-songwriter tradition. |
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