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| | Rollins Band download mp3 | |  | 
| | Rollins Band [ mp3 ]album: Nice
format: mp3
release: 2001
bitrate: 192
length: 51:46 min
| | |
 Tracks of Nice:
 One Shot.mp3
Up For It.mp3
Gone Inside The Zero.mp3
Hello.mp3
What's The Matter Man.mp3
Your Number Is One.mp3
Stop Look And Listen.mp3
I Want So Much More.mp3
Hangin' Around.mp3
Going Out Strange.mp3
We Walk Alone.mp3
Let That Devil Out.mp3
Nowhere To Go But Inside.mp3
Too Much Rock & Roll.mp3
| | | | 
| | Rollins Band [ mp3 ]album: Life Time (Edition '99)
format: mp3
release: 1988
bitrate: 192
length: 53:40 min
| | |
Tracks of Life Time (Edition '99):Burned Beyond Recognition.mp3
What Am I Doing Here.mp3
1,000 Times Blind.mp3
Lonely.mp3
Wreck-Age.mp3
Gun In My Mouth Blues.mp3
You Look At You.mp3
If You're Alive.mp3
Turned Out.mp3
Do It (Session Outtake).mp3
Move Right In (Session Outtake).mp3
Next Time (Session Outtake).mp3
| | | | 
| | Rollins Band [ mp3 ]album: Do It
format: mp3
release: 1988
bitrate: 192
length: 69:37 min
| | |
Tracks of Do It:Do It.mp3
Move Right In.mp3
Next Time.mp3
Joe Is Everything, Everything Is Joe (Intro).mp3
Black And White.mp3
Lost And Found.mp3
Followed Around.mp3
Wreck Age.mp3
Lonely.mp3
Hot Animal Machine 1.mp3
You Look At You.mp3
Gun In Mouth Blues.mp3
Turned Out.mp3
Thousand Times Blind.mp3
No One.mp3
| | | | 
| | Rollins Band [ mp3 ]album: Hard Volume (Edition '99)
format: mp3
release: 1989
bitrate: 192
length: 76:24 min
| | |
Tracks of Hard Volume (Edition '99):Hard.mp3
What Have I Got.mp3
I Feel Like This.mp3
Planet Joe.mp3
Love Songs.mp3
Turned Inside Out.mp3
Down And Away.mp3
Tearing (Session Outtake).mp3
You Didn't Need (Session Outtake).mp3
Ghost Rider (Session Outtake).mp3
What Have I Got (Demo July 1988).mp3
Thin Air (Demo July 1988).mp3
Down And Away (Demo July 1988).mp3
| | | | 
| | Rollins Band [ mp3 ]album: The End Of Silence
format: mp3
release: 1992
bitrate: 192
length: 72:23 min
| | |
Tracks of The End Of Silence:Low Self Opinion.mp3
Grip.mp3
Tearing.mp3
You Didn't Need.mp3
Almost Real.mp3
Obscene.mp3
What Do You Do.mp3
Blues Jam.mp3
Another LIfe.mp3
Just Like You.mp3
| | | | 
| | Rollins Band [ mp3 ]album: Weight
format: mp3
release: 1994
bitrate: 192
length: 53:22 min
| | |
Tracks of Weight:Disconnect.mp3
Fool.mp3
Icon.mp3
Civilized.mp3
Divine.mp3
Liar.mp3
Step Back.mp3
Wrong Man.mp3
Volume 4.mp3
Tired.mp3
Alien Blueprint.mp3
Shine.mp3
| | | | 
| | Rollins Band [ mp3 ]album: Come In And Burn
format: mp3
release: 1997
bitrate: 192
length: 53:52 min
| | |
Tracks of Come In And Burn:Shame.mp3
Starve.mp3
All I Want.mp3
The End Of Something.mp3
On My Way To The Cage.mp3
Thursday Afternoon.mp3
During A City.mp3
Neon.mp3
Spilling Over The Side.mp3
Inhale Exhale.mp3
Saying Goodbye Again.mp3
Rejection.mp3
Disappearing Act.mp3
| | | | 
| | Rollins Band [ mp3 ]album: Get Some - Go Again
format: mp3
release: 2000
bitrate: 192
length: 59:03 min
| | |
Tracks of Get Some - Go Again:Illumination.mp3
Get Some Go Again.mp3
Monster.mp3
Love's So Heavy.mp3
Thinking Cap.mp3
Change It Up.mp3
I Go Day Glo.mp3
Are You Ready.mp3
On The Day.mp3
You Let Yourself Down.mp3
Brother Interior.mp3
Hotter And Hotter.mp3
Illuminator.mp3
Data Track.mp3
| | | |
News from our arhive: Wes Borland:Why He Left Limp Bizkit |
LOS ANGELES — The more time Wes Borland spent in Limp Bizkit, the more things around him turned black. First his wardrobe — draping cloaks that brought to mind one of his favorite characters, Darth Vader. Then his eyes — gripping contacts that, next to his flaring nostrils, made him look like a guitar-toting monster. His heart was the next to go.
"Bells start going off, like, 'This is what it feels like to sell out,'" Borland recalled. "I'm enjoying all the perks of [Limp Bizkit], but I feel my heart is going black, because this is not what I'm called to do. The little voice inside my head says, 'You should be somewhere else. You should take the risk. You should let it go.'
"I think they'll be better now that I'm gone," he adds. "I think I held them back from being their best, because I was so against all the things that were going on."
Borland, reclining in a fancy office chair in his home studio and staring at walls lined with packaged "Stars Wars" figures and his own eerie graffiti, talked at ease last week in his first interview since he left Limp Bizkit four months ago (see "Limp Bizkit And Wes Borland Part Ways "). With Greg Isabelle, friend and drummer of his new band, Eat the Day, at his side, Borland explained exactly what inspired him to leave one of the world's biggest rock bands, take singing lessons and start up his own group.
"I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit," Borland explained.
"I think I had a good run," he continued. "I was with that band for five or six years, we did a lot of really neat things and I had a great time. I went there and did the whole fame and money thing, and it's just not as important as making the music that I want to make. It's just time to move on for me."
Borland said his bandmates in Limp Bizkit gradually became more like work friends than real friends, which meant being in the band had become a job. He wanted none of that, especially when his brother and best friends were making music without him. Since the night he called Fred Durst, DJ Lethal, Sam Rivers and John Otto one by one and told them he was leaving Limp Bizkit, Borland has not talked to anyone from the band. "The original statement said the split was amicable, and I would say that it is, but that doesn't mean that we can, like, hang out. It's gonna take a lot of time to heal. There's definitely not any bad feelings, but it's not like we're going to have lunch anytime soon."
After the split, Borland took apart his guitar pedal rigs and slowly let his parts in "Nookie," "Rollin' " and the rest of the Limp Bizkit catalog escape from his head. He needs new gear and mental energy for Eat the Day, the band he has since formed with his brother, guitarist/bassist Scott Borland, Isabelle and sound engineer Kyle Weeks — the same Speedo-wearing band he took on the road to promote his quirky solo project Big Dumb Face (see "Ex-Bizkit Borland Digs In With His New Band, Eat The Day").
Borland would like to make very clear, however, that Eat the Day is not Big Dumb Face or anything close to it.
"Big Dumb Face was sort of an experiment in extreme stupidity, and I guess part of me wanted to see how much I could get away with as far as like, 'OK, I'm in this big rock band, let me put out a record of complete garbage to see what people do and how hard I get bashed and maybe [gain] a little cult following,' " Borland explained. "If you've ever been drunk or done a drug and had an idea while you were under the influence that you thought would be good then, but then you sober up later, [Big Dumb Face] was holding onto that idea all the way through!"
Borland said Big Dumb Face got all of the humor out of him, and he is ready to make a serious album with Eat the Day — so serious that he and his brother are learning to sing properly. (They want to avoid having an official frontman.)
"We both always wrote lyrics and wanted to sing, so we've been doing vocal lessons twice a week for the last four months," Borland said. "I don't feel like singing should be taken lightly. It's one of the hardest things I've ever done, but it's coming along."
Borland's contributions on guitar and bass are similar to the big chunky riffs he provided to Limp Bizkit. Meanwhile, his brother adds a more classically trained, chord-heavy sound to the mix.
"The two of them compliment each other perfectly," Isabelle said. "One picks up where the other one leaves off. They are natural together, like only brothers can be. It's pretty cool."
Eat the Day have written 18 tracks since October. They are presenting a demo to Interscope Records later this month and hope to rent a house together and record an album in early spring. They had originally planned to have Ross Robinson (Limp Bizkit, Slipknot) produce, but later decided to do it themselves. "What he does for bands is he gives bands a lot of fire and a lot of fury, but I think we've located where our energy is and where our message is from," Borland said.
By late summer, Eat the Day plan to release their debut and promote it with a tour. The band's live show will be a rock experiment of sorts, with engineer Weeks taking the stage with the rest of the guys. "He will be taking things that everyone else in the band is playing and running them through effects and spitting them back out, and really just giving everything interesting textures," Borland explained.
The name Eat the Day came from an old music file on one of Borland's keyboards. "It is not an intentional 'Seize the day!' type of thing, but it kind of worked in with the whole [concept of] me taking control of my life," Borland said. "It is a very 'live in the moment' type of name, and it kind of reminds me of a horror movie too, like an old 70's film, like 'Dawn of the Dead' or 'Eat the Day!' "
As for Goatslayer, Borland's other project, those recordings have been laid to rest. "Big Dumb Face was a very professional version of Goatslayer," he said. "It's just really, really, really dumb. But we're ready to be big boys now and get on with the big boy band." |
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