Most Popular Albums
Feel Good Inc.
Gorillaz
Don't Phunk With My Heart
The Black Eyed Peas
The Cookbook
Missy Elliott
X-Y
Coldplay
A Tribute To Outkast
Outkast
| | Quincy Jones download mp3 | |  | 
| | Quincy Jones [ mp3 ]album: Kill Bill Volume One
format: mp3
release: 2003 year
bitrate: 192
length: 46:37 min
| | |
 Tracks of Kill Bill Volume One:
 Bang Bang (My Baby Shot Me Down).mp3
That Certain Female.mp3
The Grand Duel - (Parte Prima).mp3
Twisted Nerve.mp3
Queen of the Crime Council.mp3
Ode to Oren Ishii.mp3
Run Fay Fun.mp3
Green Hornet.mp3
Battle Without Honor or Humanity.mp3
Don't Let Me Be Misunderstood.mp3
Woo Hoo.mp3
Crane-White Lightning.mp3
The Flower of Carnage.mp3
The Lonely Shepherd.mp3
You're My Wicked Life.mp3
Ironside.mp3
Super 16.mp3
Yakuza Oren 1.mp3
Banister Fight.mp3
Flip Sting.mp3
Sword Swings.mp3
Axe Throws.mp3
| | | | 
| | Quincy Jones [ mp3 ]album: Now 1981 (CD 2)
format: mp3
release: 1999 year
bitrate: 128
length: 71:52 min
| | |
Tracks of Now 1981 (CD 2):In The Air Tonight.mp3
Jealous Guy.mp3
A Good Year For The Roses.mp3
Labelled With Love.mp3
That's Entertainment.mp3
The Return Of The Los Palmas 7.mp3
Kids In America.mp3
Reward.mp3
Gloria.mp3
Sgt. Rock (Is Going To Help Me).mp3
While You See A Chance.mp3
When She Was My Girl.mp3
Get Down On It.mp3
Razzamatazz.mp3
Being With You.mp3
Body Talk.mp3
One Day In Your Life.mp3
Endless Love.mp3
| | | | 
| | Quincy Jones [ mp3 ]album: Ocean's Eleven
format: mp3
release: 2001 year
bitrate: 192
length: 54:03 min
| | |
Tracks of Ocean's Eleven:Theme For Young Lover.mp3
Boobytrapping.mp3
The Projects.mp3
The Plans.mp3
Papa Loves Mambo.mp3
Reuben's In.mp3
Lyman Zerga.mp3
Caravan.mp3
Gritty Shaker.mp3
Planting The Seed.mp3
Pickpockets.mp3
A Little Less Conversation.mp3
Dream Dream Dream.mp3
Stealing The Pinch.mp3
Blues In The Night.mp3
Tess.mp3
Hookers.mp3
160 Million Dollar Chinese Man.mp3
69 Police.mp3
Theme For Young Lovers (Exit).mp3
Clair De Lune.mp3
| | | |
News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
|
| | | | |
| |
