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| | Natasha St. Pier download mp3 | |  | 
| | Natasha St. Pier [ mp3 ]album: A chacun son histoire
format: mp3
release: 2001
bitrate: 192
length: 52:29 min
| | |
 Tracks of A chacun son histoire:
 Je N'ai Que Mon Ame.mp3
A Chacun Son Histoire.mp3
Laisse-moi Tout Rªver.mp3
Pres D'un Autre.mp3
Tu M'envoles.mp3
Toi Et Moi.mp3
Dans Mes Nuits.mp3
Le Vent.mp3
Tu N'es Plus Dans Ma Tete.mp3
Je T'aime Encore.mp3
Et La Fille Danse.mp3
Si Jamais.mp3
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| | Natasha St. Pier [ mp3 ]album: L'instant D'Apres
format: mp3
release: 2003
bitrate: 192
length: 54:33 min
| | |
Tracks of L'instant D'Apres:Tant Que C'est Toi.mp3
Quand On Cherche L'amour.mp3
Mourir Demain.mp3
Plus Simple Que Sa.mp3
J'avais Quelqu'un.mp3
Je Te Souhaite.mp3
Chacun Pour Soi.mp3
Pour Le Meilleur.mp3
Croire.mp3
J'oublie Toujours Quelque Chose.mp3
Qu'y A-t-il Entre Nous.mp3
Juste Un Besoin De Chaleur.mp3
Quand Aimer Ne Suffit Pas (Bonus Lucie).mp3
| | | | 
| | Natasha St. Pier [ mp3 ]album: Emergence
format: mp3
release: 2005
bitrate: 256
length: 47:18 min
| | |
Tracks of Emergence:Sans Le Savoir.mp3
Il Ne Sait Pas.mp3
Les Magiciens.mp3
Pourquoi Tu M'aimes.mp3
J'ai Cru Trouver L'amour.mp3
Mou'tian.mp3
Le Parcours Du Coeur.mp3
Porte Par La Vague.mp3
Friends.mp3
Le Monde A Refaire.mp3
Repose Ton Ame.mp3
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| | Natasha St. Pier [ mp3 ]album: Je N'ai Que Mon Me
format: mp3
release: 2005
bitrate: 256
length: 43:32 min
| | |
Tracks of Je N'ai Que Mon Me:Je N'ai Que Mon Me.mp3
Sans Le Savoir.mp3
Il Ne Sait Pas.mp3
J'ai Cru Trouver L'amour.mp3
Repose Ton Me.mp3
My Heart If You Will Swear.mp3
Je T'aime Encore.mp3
I'm In Love.mp3
Le Vent.mp3
Prs D'une Autre.mp3
All I Have Is My Soul.mp3
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News from our arhive: Releases:50 Cent, Mando Diao, The Cape May |
50 CENT The Massacre (Shady/Aftermath/Interscope/Universal) On the strength of a multi-platinum debut record, 50 Cent got rich and didn’t die trying and now the chiseled superstar isn’t looking to mess with the formula. The Massacre beats the usual gangsta tropes to death — Fiddy will kill you if you mess with him, Fiddy’s got lots of money and Fiddy can get any "bitch" he wants. He does deserve credit for doing most of the heavy lifting — The Massacre is mercifully light on guest cameos — and for his charismatic command of the mic, but these skills are wasted on a record that celebrates street life without saying anything new about it. 50 FOOT WAVE Golden Ocean (4AD/Beggars) Someone once wrote that the holy trinity of rock is comprised of The Beatles, The Who and The Pixies. If Golden Ocean is any indication, then a career can be fashioned by aping just one of these triumvirates. 50 Foot Wave swipe The Pixies playbook wholesale, swapping Frank Black’s manic singing with Kristin Hersh’s (Throwing Muses, soloist) gravelly, Janis Joplin-gone-stark-raving-mad caterwauling. This is the antithesis of the punk ethos — instead of inspiration before musical talent, these guys deliver technical expertise with tired, retread concepts. It’s bands like 50 Foot Wave who make the recent Pixie reformation redundant. BELINDA BRUCE Dream Yourself Awake (Maximum/Universal) The first album from the Vancouver-based Belinda Bruce makes for a great campfire soundtrack, drifting along on gentle, unassuming melodies and low-fi intimacy. Bruce’s voice isn’t a powerhouse instrument, especially compared with a couple of certain Sarahs who traffic in the same kind of sound, but when it’s laid over softly-plucked guitars and brooding cellos it takes on a uniquely ethereal quality. Though it too often displays the singer’s maddening tendency to under-enunciate and murk up her lyrics, Dream Yourself Awake introduces Bruce as a master of grown-up lullabies and a worthwhile addition to the female singer-songwriter tradition. |
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