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| | Missy Elliott download mp3 | |  | 
| | Missy Elliott [ mp3 ]album: Pass That Dutch
format: mp3
release: 2003
bitrate: 192
length: 17:19 min
| | |
 Tracks of Pass That Dutch:
 Pass That Dutch (Amended Main Version).mp3
Pass That Dutch (Main Version).mp3
Pass That Dutch (Instrumental).mp3
Pass That Dutch (Acappella).mp3
Pass That Dutch (TV Track).mp3
| | | | 
| | Missy Elliott [ mp3 ]album: This Is Not A Test!
format: mp3
release: 2003
bitrate: 192
length: 56:14 min
| | |
Tracks of This Is Not A Test!:Baby Girl Intro (feat. Mary J. Blige).mp3
Bomb Intro / Pass That Dutch.mp3
Wake Up (feat. Jay-Z).mp3
Keep It Movin (feat. Elephant Man).mp3
This Is Our Last Time Feat Fabolous.mp3
Ragtime Interlude / I'm Really Hot.mp3
Dats What I'm Talking About (feat. R. Kelly).mp3
Don't Be Cruel (feat. Monica & Beenie Man).mp3
Toyz Interlude.mp3
Let It Bump.mp3
Pump It Up (feat. Nelly).mp3
It's Real.mp3
Let Me Fix My Weave.mp3
Spelling Bee Interlude.mp3
I'm Not Perfect (feat. The Clark Sisters).mp3
Outro (feat. Mary J. Blige).mp3
| | | | 
| | Missy Elliott [ mp3 ]album: Under Construction
format: mp3
release: 2002
bitrate: 192
length: 68:37 min
| | |
Tracks of Under Construction:Go To The Floor.mp3
Bring The Pain (Featuring Method Man).mp3
Gossip Folks (Featuring Ludacris).mp3
Work It.mp3
Back In The Day (Featuring Jay-Z).mp3
Funky Fresh Dressend (Featuring Ms.Jade).mp3
Pussycat.mp3
Nothing Out There For Me (Featuring Beyonce Knoewles).mp3
Slide.mp3
Play That Beat.mp3
Ain't That Funny.mp3
Hot.mp3
Can You Hear Me (Featuring TLC).mp3
Work It (Remix Featuring 50 Cent).mp3
Gossip Folks (FatBoy Slim Remix Featuring Ludacris).mp3
Gossip Folks (Mousse T´s Pogo Remix Extended).mp3
| | | | 
| | Missy Elliott [ mp3 ]album: Push (Remixes)
format: mp3
release: 2004
bitrate: 224
length: 51:23 min
| | |
Tracks of Push (Remixes):Push (Jason Nevins Radio Remix Clean).mp3
Push (Josh Harris Vinyla Skye Radio Edit Clean).mp3
Push (Anthony Acid Radio Edit Clean).mp3
Push (Anthony Acid Club Mix Clean).mp3
Push (Josh Harris Vinyla Skye Club Mix Dirty).mp3
Push (Jason Nevins X-Rated Mixshow).mp3
Push (Jason Nevins Porno Club Mix).mp3
Push (Jason Nevins Dirty Dub).mp3
Push (Anthony Acid X-Rated Club Mix).mp3
Push (Peter Bailey Dub).mp3
| | | | 
| | Missy Elliott [ mp3 ]album: The Cookbook
format: mp3
release: 2005
bitrate: 189
length: 63:21 min
| | |
Tracks of The Cookbook:Joy.mp3
Party Time.mp3
Irresistable.mp3
Lose Control.mp3
My Struggles.mp3
Meltdown.mp3
On & On.mp3
We Run This.mp3
Remember When.mp3
4 My Man.mp3
Can't Stop.mp3
Teary Eyed.mp3
Mommy.mp3
Click Clack.mp3
Time And Time Again.mp3
Bad Man.mp3
| | | | 
| | Missy Elliott [ mp3 ]album: 538 Dance Smash Hits Summer 2002
format: mp3
release: 2002 year
bitrate: 192
length: 74:38 min
| | |
Tracks of 538 Dance Smash Hits Summer 2002:Holiday.mp3
4 My People (Basement Jaxx).mp3
G-Licious.mp3
Simulated.mp3
Sunglasses At Night.mp3
So, I Begin.mp3
Dance!.mp3
Awakening.mp3
Dove (I'll Be Loving U).mp3
One Step Away.mp3
Everybody's Free.mp3
Stars 2002.mp3
Don't You Want Me.mp3
Punk.mp3
Pulsar.mp3
Ducktoy.mp3
Love, Don't Let Me Go.mp3
Sweet Freedom.mp3
murder on the dancefloor.mp3
Dansplaat.mp3
Desenchantee.mp3
| | | | 
| | Missy Elliott [ mp3 ]album: Tomb Raider
format: mp3
release: 2001 year
bitrate: 256
length: 69:06 min
| | |
Tracks of Tomb Raider:Elevation [Tomb Raider Mix].mp3
Deep.mp3
Galaxy Bounce.mp3
Get Ur Freak On.mp3
Speedballin'.mp3
Ain't Never Learned.mp3
The Revolution.mp3
Terra Firma [Lara's Mix].mp3
Where's Your Head At.mp3
Illuminati.mp3
Absurd [Whitewash Edit].mp3
Song Of Life.mp3
Edge Hill.mp3
Satellite.mp3
Devil's Nightmare.mp3
| | | |
News from our arhive: Wes Borland:Why He Left Limp Bizkit |
LOS ANGELES — The more time Wes Borland spent in Limp Bizkit, the more things around him turned black. First his wardrobe — draping cloaks that brought to mind one of his favorite characters, Darth Vader. Then his eyes — gripping contacts that, next to his flaring nostrils, made him look like a guitar-toting monster. His heart was the next to go.
"Bells start going off, like, 'This is what it feels like to sell out,'" Borland recalled. "I'm enjoying all the perks of [Limp Bizkit], but I feel my heart is going black, because this is not what I'm called to do. The little voice inside my head says, 'You should be somewhere else. You should take the risk. You should let it go.'
"I think they'll be better now that I'm gone," he adds. "I think I held them back from being their best, because I was so against all the things that were going on."
Borland, reclining in a fancy office chair in his home studio and staring at walls lined with packaged "Stars Wars" figures and his own eerie graffiti, talked at ease last week in his first interview since he left Limp Bizkit four months ago (see "Limp Bizkit And Wes Borland Part Ways "). With Greg Isabelle, friend and drummer of his new band, Eat the Day, at his side, Borland explained exactly what inspired him to leave one of the world's biggest rock bands, take singing lessons and start up his own group.
"I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit," Borland explained.
"I think I had a good run," he continued. "I was with that band for five or six years, we did a lot of really neat things and I had a great time. I went there and did the whole fame and money thing, and it's just not as important as making the music that I want to make. It's just time to move on for me."
Borland said his bandmates in Limp Bizkit gradually became more like work friends than real friends, which meant being in the band had become a job. He wanted none of that, especially when his brother and best friends were making music without him. Since the night he called Fred Durst, DJ Lethal, Sam Rivers and John Otto one by one and told them he was leaving Limp Bizkit, Borland has not talked to anyone from the band. "The original statement said the split was amicable, and I would say that it is, but that doesn't mean that we can, like, hang out. It's gonna take a lot of time to heal. There's definitely not any bad feelings, but it's not like we're going to have lunch anytime soon."
After the split, Borland took apart his guitar pedal rigs and slowly let his parts in "Nookie," "Rollin' " and the rest of the Limp Bizkit catalog escape from his head. He needs new gear and mental energy for Eat the Day, the band he has since formed with his brother, guitarist/bassist Scott Borland, Isabelle and sound engineer Kyle Weeks — the same Speedo-wearing band he took on the road to promote his quirky solo project Big Dumb Face (see "Ex-Bizkit Borland Digs In With His New Band, Eat The Day").
Borland would like to make very clear, however, that Eat the Day is not Big Dumb Face or anything close to it.
"Big Dumb Face was sort of an experiment in extreme stupidity, and I guess part of me wanted to see how much I could get away with as far as like, 'OK, I'm in this big rock band, let me put out a record of complete garbage to see what people do and how hard I get bashed and maybe [gain] a little cult following,' " Borland explained. "If you've ever been drunk or done a drug and had an idea while you were under the influence that you thought would be good then, but then you sober up later, [Big Dumb Face] was holding onto that idea all the way through!"
Borland said Big Dumb Face got all of the humor out of him, and he is ready to make a serious album with Eat the Day — so serious that he and his brother are learning to sing properly. (They want to avoid having an official frontman.)
"We both always wrote lyrics and wanted to sing, so we've been doing vocal lessons twice a week for the last four months," Borland said. "I don't feel like singing should be taken lightly. It's one of the hardest things I've ever done, but it's coming along."
Borland's contributions on guitar and bass are similar to the big chunky riffs he provided to Limp Bizkit. Meanwhile, his brother adds a more classically trained, chord-heavy sound to the mix.
"The two of them compliment each other perfectly," Isabelle said. "One picks up where the other one leaves off. They are natural together, like only brothers can be. It's pretty cool."
Eat the Day have written 18 tracks since October. They are presenting a demo to Interscope Records later this month and hope to rent a house together and record an album in early spring. They had originally planned to have Ross Robinson (Limp Bizkit, Slipknot) produce, but later decided to do it themselves. "What he does for bands is he gives bands a lot of fire and a lot of fury, but I think we've located where our energy is and where our message is from," Borland said.
By late summer, Eat the Day plan to release their debut and promote it with a tour. The band's live show will be a rock experiment of sorts, with engineer Weeks taking the stage with the rest of the guys. "He will be taking things that everyone else in the band is playing and running them through effects and spitting them back out, and really just giving everything interesting textures," Borland explained.
The name Eat the Day came from an old music file on one of Borland's keyboards. "It is not an intentional 'Seize the day!' type of thing, but it kind of worked in with the whole [concept of] me taking control of my life," Borland said. "It is a very 'live in the moment' type of name, and it kind of reminds me of a horror movie too, like an old 70's film, like 'Dawn of the Dead' or 'Eat the Day!' "
As for Goatslayer, Borland's other project, those recordings have been laid to rest. "Big Dumb Face was a very professional version of Goatslayer," he said. "It's just really, really, really dumb. But we're ready to be big boys now and get on with the big boy band." |
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