Most Popular Albums
Feel Good Inc.
Gorillaz
Don't Phunk With My Heart
The Black Eyed Peas
The Cookbook
Missy Elliott
X-Y
Coldplay
A Tribute To Outkast
Outkast
| | Mindless Self Indulgence download mp3 | |  | 
| | Mindless Self Indulgence [ mp3 ]album: Alienating Our Audience: Live
format: mp3
release: 2002
bitrate: 192
length: 22:49 min
| | |
 Tracks of Alienating Our Audience: Live:
 Tornado.mp3
Thank God.mp3
Two Hookers.mp3
Revenge.mp3
Molly.mp3
Like Shit.mp3
Diabolical.mp3
Last Gay Song.mp3
Rip Off.mp3
Panty Shot.mp3
| | | | 
| | Mindless Self Indulgence [ mp3 ]album: Despierta Los Ninos
format: mp3
release: 2003
bitrate: 192
length: 12:34 min
| | |
Tracks of Despierta Los Ninos:Wack!.mp3
Brooklyn Hype (Part One).mp3
Capitol P.mp3
Molly (Live).mp3
Alienating Our Audience.mp3
Joke.mp3
| | | | 
| | Mindless Self Indulgence [ mp3 ]album: Tight
format: mp3
release: 1999
bitrate: 192
length: 31:07 min
| | |
Tracks of Tight:Grab The Mic.mp3
Bring The Pain.mp3
Mindless Self Indulgence.mp3
Tight.mp3
Diabolical.mp3
Molly.mp3
Tornado.mp3
Daddy.mp3
Pussy All Night.mp3
Apple Country.mp3
Dickface.mp3
Bite Your Rhythmes.mp3
Hail Satan.mp3
Ecnegludni Fles Sseldnim.mp3
| | | | 
| | Mindless Self Indulgence [ mp3 ]album: Frankenstein Girls Will Seem Strangely Sexy
format: mp3
release: 2000
bitrate: 192
length: 55:38 min
| | |
Tracks of Frankenstein Girls Will Seem Strangely Sexy:Backmask.mp3
Bitches.mp3
Boomin'.mp3
Clarissa.mp3
Cocaine And Toupees.mp3
Dicks Are For My Friends.mp3
F.mp3
Faggot.mp3
Futures.mp3
Golden I.mp3
Harry Truman.mp3
Holy Shit.mp3
I Hate Jimmy Page.mp3
I'm Your Problem Now.mp3
J.mp3
Keepin' Up With The Kids.mp3
Kick The Bucket.mp3
Kill The Rock.mp3
Last Time I Tried To Rock Your World.mp3
London Bridge.mp3
M.mp3
Masturbates.mp3
Planet Of The Apes.mp3
Played.mp3
Ready For Love.mp3
Royally Fucked.mp3
Seven-Eleven.mp3
Step Up, Ghetto Blaster.mp3
Whipstickagostop.mp3
Z.mp3
| | | | 
| | Mindless Self Indulgence [ mp3 ]album: You'll Rebel to Anything
format: mp3
release: 2005
bitrate: 192
length: 26:30 min
| | |
Tracks of You'll Rebel to Anything:Shut Me Up.mp3
1989.mp3
Straight To Video.mp3
Tom Sawyer.mp3
You'll Rebel To Anything (As Long As It's Not Challenging).mp3
What Do They Know-.mp3
Stupid MF.mp3
2 Hookers And An Eightball.mp3
Prom.mp3
Bullshit.mp3
| | | |
News from our arhive: Zakk Wylde.Guitarist avoids trying too hard on new LP |
Even when he's not in the studio or on the road, it's hard for Black Label Society maestro Zakk Wylde to get any rest. His home, located about an hour outside of Los Angeles, is a sanctuary of sorts for wayward rockers and friends, who keep him up all night partying. His most current tenant is Phil, a noisy, obnoxious friend from New Jersey who keeps interrupting our phone interview by shouting homophobic comments.
When it becomes impossible to finish a thought, Wylde wanders outdoors so he can properly discuss his new album, Mafia. But the peace only lasts a couple of minutes. While the guitar player and singer talks about spreading the gospel of Black Label Society, the connection is pierced by what sounds like the feral roar of a chainsaw; it's actually Wylde's 11-year-old son, Jesse, baiting his dad by riding a mini motorcycle in circles around him. "He might as well have a chainsaw," Wylde growled.
Jesse isn't the only one who regularly yanks his dad's lumberjack beard. There's his co-manager and wife, Barbaranne, whom Wylde affectionately calls "My Sharon," and their other son, Hendrix, who just entered his terrible twos. Rock stars don't always make the best or most enthused parents, but for Wylde, music and family have always been inextricably intertwined. And his extended family members have been as important as his blood relatives. When Wylde was 19 years old, he was adopted by Ozzy Osbourne and his band to play on 1989's No Rest for the Wicked. For the next four years, Wylde cut his teeth touring the world with Ozzy, and performed on 1991's No More Tears and 1995's Ozzmosis before setting sail on his own the next year with his first solo album, Book of Shadows. He formed Black Label Society in 1999; six years and five albums later, what started as a side project has turned into a new musical family and a formidable rock force. With the release of the galvanic Mafia, Wylde seems on the verge of breaking Black Label Society beyond the fringes of Ozzfest and into the heavy-metal mainstream.
The album is a showcase of metallic energy that combines the stomp of Pantera, the sluggish chug and guitar squeals of Alice in Chains and the six-string virtuosity of Eddie Van Halen. And to mix things up, there's a pair of piano-fueled ballads, which demonstrate Wylde's flexibility and offer a hint of vulnerability. Mafia is easily Black Label's most mature and fully realized disc to date, one that sounds like it was carefully written and painstakingly finessed.
"To us, it's just another Black Label Society record," Wylde dismissively said. "That's how it is every time. We go in there with nothing, then we kick it around, and within an hour we have a couple songs. That's the way it should be. I think if you really try to figure out what the f--- you're doing and image yourself, then you just end up trying too hard and it doesn't sound real."
Whatever they're doing, Black Label Society are on the right track. Last week, "Suicide Messiah," the first single from the album, was the #1 most-added song at mainstream and active rock radio, which should help build buzz and anticipation for the LP's March 8 release. The song is a crunchy, pounding slugfest with shuddering vocals that sound like a cross between Ozzy and Axl Rose. But while the sound is basically familiar, the subject matter is new for Wylde.
"It's my take on power trips and the way people follow blindly, whether it's Jesus or George Bush or one of those freaks overseas that we're fighting a war against," he explained. "People always need something to put their faith in and they choose these power-crazy mother----ers in the name of religion." For Wylde, this is an epiphany. That he's incorporated the idea into lyrics for his new album is even more revelatory. After all, here's a wild-eyed guy whose drinking exploits are as legendary as his outstanding guitar playing — a dude who has crashed cars into trees for kicks.
"In the world we live in these days, how can you not touch on politics?" he said. "But that doesn't mean I don't still like to have a good time and do crazy sh--. If there isn't something crazy that goes on in the span of the day then something's not right."
|
|
| | | | |
| |
