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| | Lee Ann Womack download mp3 | |  | 
| | Lee Ann Womack [ mp3 ]album: I Hope You Dance format: mp3 release: 2000 bitrate: 320 length: 43:38 min
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Tracks of I Hope You Dance:
The Healing Kind.mp3
I Hope You Dance.mp3
After I Fall.mp3
Stronger Than I Am.mp3
I Know Why The River Runs.mp3
Why They Call It Falling.mp3
Ashes By Now.mp3
Thinkin' With My Heart Again.mp3
I Feel Like I'm Forgetting Something.mp3
Lonely Too.mp3
Does My Ring Burn Your Finger.mp3
Lord, I Hope This Day Is Good.mp3
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| | Lee Ann Womack [ mp3 ]album: Greatest Hits format: mp3 release: 2004 bitrate: 192 length: 52:11 min
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Tracks of Greatest Hits:
Never Again, Again.mp3
You've Got To Talk To Me.mp3
The Fool.mp3
A Little Past Little Rock.mp3
(Now You See Me) Now You Don't.mp3
I'll Think Of A Reason Later.mp3
I Hope You Dance.mp3
Ashes By Now.mp3
Why They Call It Falling.mp3
Something Worth Leaving Behind.mp3
Mendocino County Line.mp3
Does My Ring Burn Your Finger.mp3
The Wrong Girl.mp3
Time For Me To Go.mp3
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| | Lee Ann Womack [ mp3 ]album: There's More Where That Came From format: mp3 release: 2005 bitrate: 192 length: 51:19 min
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Tracks of There's More Where That Came From:
Theres More Where That Came From.mp3
Ones A Couple.mp3
I May Hate Myself In The Morning.mp3
The Last Time.mp3
He Oughta Know That By Now.mp3
Twenty Years And Two Husbands Ago.mp3
Happiness.mp3
When You Get To Me.mp3
Painless.mp3
What I Miss About Heaven.mp3
Waiting For The Sun To Shine.mp3
Stubborn (Psalm 151).mp3
Just Someone I Used To Know.mp3
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| | Lee Ann Womack [ mp3 ]album: The Season For Romance format: mp3 release: 2002 bitrate: 256 length: 39:18 min
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Tracks of The Season For Romance:
The Season For Romance.mp3
Baby It's Cold Outside.mp3
Let It Snow & Winter Wonderland.mp3
Have Yourself A Merry Little Christmas.mp3
Silent Night.mp3
White Christmas.mp3
Forever Christmas Eve.mp3
The Man With The Bag.mp3
The Christmas Song.mp3
What Are You Doing New Year's Eve.mp3
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| | Lee Ann Womack [ mp3 ]album: Something Worth Leaving Behind format: mp3 release: 2002 bitrate: 192 length: 55:04 min
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Tracks of Something Worth Leaving Behind:
Something Worth Leaving Behind.mp3
I Saw Your Light.mp3
When You Gonna Run To Me.mp3
Talk To Me.mp3
Forever Everyday.mp3
Orphan Train.mp3
I Need You.mp3
You Should've Lied.mp3
Hell Be Back.mp3
Surrender.mp3
Blame It On Me.mp3
Closing This Memory Down.mp3
Something Worth Leaving Behind (International Version).mp3
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| | Lee Ann Womack [ mp3 ]album: Lee Ann Womack format: mp3 release: 1997 bitrate: 256 length: 39:41 min
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Tracks of Lee Ann Womack:
Never Again, Again.mp3
A Man With 18 Wheels.mp3
You've Got To Talk To Me.mp3
The Fool.mp3
Am I The Only Thing That You've Done Wrong.mp3
Buckaroo.mp3
Make Memories With Me.mp3
Trouble's Here.mp3
Do You Feel For Me.mp3
Montgomery To Memphis.mp3
Get Up In Jesus' Name.mp3
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| | Lee Ann Womack [ mp3 ]album: Willie Nelson & Friends: Stars & Guitars format: mp3 release: 2002 year bitrate: 192 length: 74:54 min
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Tracks of Willie Nelson & Friends: Stars & Guitars:
Whiskey River.mp3
Good Hearted Woman.mp3
Maria (Shut Up And Kiss Me).mp3
Mendocino County Line.mp3
Always On Your Mind.mp3
Night Life.mp3
Dead Flowers.mp3
Lonestar.mp3
Stardust.mp3
Don't Fade Away.mp3
Angels Flying Too Close To The Ground.mp3
For What It's Worth.mp3
Mama's Don't Let Your Babies Grow Up To Be.mp3
Blue Eyes Crying In The Rain.mp3
Till I Gain Control Again.mp3
The Harder They Come.mp3
On The Road Again.mp3
Move It On Over.mp3
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News from our arhive: Zakk Wylde.Guitarist avoids trying too hard on new LP |
Even when he's not in the studio or on the road, it's hard for Black Label Society maestro Zakk Wylde to get any rest. His home, located about an hour outside of Los Angeles, is a sanctuary of sorts for wayward rockers and friends, who keep him up all night partying. His most current tenant is Phil, a noisy, obnoxious friend from New Jersey who keeps interrupting our phone interview by shouting homophobic comments.
When it becomes impossible to finish a thought, Wylde wanders outdoors so he can properly discuss his new album, Mafia. But the peace only lasts a couple of minutes. While the guitar player and singer talks about spreading the gospel of Black Label Society, the connection is pierced by what sounds like the feral roar of a chainsaw; it's actually Wylde's 11-year-old son, Jesse, baiting his dad by riding a mini motorcycle in circles around him. "He might as well have a chainsaw," Wylde growled.
Jesse isn't the only one who regularly yanks his dad's lumberjack beard. There's his co-manager and wife, Barbaranne, whom Wylde affectionately calls "My Sharon," and their other son, Hendrix, who just entered his terrible twos. Rock stars don't always make the best or most enthused parents, but for Wylde, music and family have always been inextricably intertwined. And his extended family members have been as important as his blood relatives. When Wylde was 19 years old, he was adopted by Ozzy Osbourne and his band to play on 1989's No Rest for the Wicked. For the next four years, Wylde cut his teeth touring the world with Ozzy, and performed on 1991's No More Tears and 1995's Ozzmosis before setting sail on his own the next year with his first solo album, Book of Shadows. He formed Black Label Society in 1999; six years and five albums later, what started as a side project has turned into a new musical family and a formidable rock force. With the release of the galvanic Mafia, Wylde seems on the verge of breaking Black Label Society beyond the fringes of Ozzfest and into the heavy-metal mainstream.
The album is a showcase of metallic energy that combines the stomp of Pantera, the sluggish chug and guitar squeals of Alice in Chains and the six-string virtuosity of Eddie Van Halen. And to mix things up, there's a pair of piano-fueled ballads, which demonstrate Wylde's flexibility and offer a hint of vulnerability. Mafia is easily Black Label's most mature and fully realized disc to date, one that sounds like it was carefully written and painstakingly finessed.
"To us, it's just another Black Label Society record," Wylde dismissively said. "That's how it is every time. We go in there with nothing, then we kick it around, and within an hour we have a couple songs. That's the way it should be. I think if you really try to figure out what the f--- you're doing and image yourself, then you just end up trying too hard and it doesn't sound real."
Whatever they're doing, Black Label Society are on the right track. Last week, "Suicide Messiah," the first single from the album, was the #1 most-added song at mainstream and active rock radio, which should help build buzz and anticipation for the LP's March 8 release. The song is a crunchy, pounding slugfest with shuddering vocals that sound like a cross between Ozzy and Axl Rose. But while the sound is basically familiar, the subject matter is new for Wylde.
"It's my take on power trips and the way people follow blindly, whether it's Jesus or George Bush or one of those freaks overseas that we're fighting a war against," he explained. "People always need something to put their faith in and they choose these power-crazy mother----ers in the name of religion." For Wylde, this is an epiphany. That he's incorporated the idea into lyrics for his new album is even more revelatory. After all, here's a wild-eyed guy whose drinking exploits are as legendary as his outstanding guitar playing — a dude who has crashed cars into trees for kicks.
"In the world we live in these days, how can you not touch on politics?" he said. "But that doesn't mean I don't still like to have a good time and do crazy sh--. If there isn't something crazy that goes on in the span of the day then something's not right."
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