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| | Josh Rouse download mp3 | |  | 
| | Josh Rouse [ mp3 ]album: The Smooth Sounds format: mp3 release: 2004 bitrate: 160 length: 59:03 min
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Tracks of The Smooth Sounds:
Comeback (Light Therapy).mp3
Love Vibration.mp3
Sunshine.mp3
Under Your Charms.mp3
Slaveship.mp3
1972.mp3
Rise.mp3
Feeling No Pain.mp3
Miracle.mp3
Under Cold Blue Stars.mp3
Late Night Conversation.mp3
Directions.mp3
Flight Attendant.mp3
The Many Moods Of Josh Rouse (A Film By Matt Boyd).mp3
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| | Josh Rouse [ mp3 ]album: Nashville format: mp3 release: 2005 bitrate: 192 length: 39:40 min
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Tracks of Nashville:
It's The Nighttime.mp3
Winter In The Hamptons.mp3
Streetlights.mp3
Carolina.mp3
Middle School Frown.mp3
My Love Has Gone.mp3
Saturday.mp3
Sad Eyes.mp3
Why Won't You Tell Me What.mp3
Life.mp3
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| | Josh Rouse [ mp3 ]album: Under Cold Blue Stars format: mp3 release: 2002 bitrate: 192 length: 39:37 min
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Tracks of Under Cold Blue Stars:
Twighlight.mp3
Nothing Gives Me Pleasure.mp3
Miracle.mp3
Christmas With Jesus.mp3
Under Cold Blue Stars.mp3
Ugly Stories.mp3
Feeling No Pain.mp3
Ears To The Ground.mp3
Summer Kitchen Ballad.mp3
Women And Men.mp3
The Whole Night Through.mp3
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| | Josh Rouse [ mp3 ]album: 1972 format: mp3 release: 2003 bitrate: 192 length: 43:09 min
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Tracks of 1972:
1972.mp3
Love Vibration.mp3
Sunshine (Come On Lady).mp3
James.mp3
Slaveship.mp3
Come Back (Light Therapy).mp3
Under Your Charms.mp3
Flight Attendant.mp3
Sparrows Over Birmingham.mp3
Rise.mp3
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| | Josh Rouse [ mp3 ]album: Best Of format: mp3 release: 2004 bitrate: 192 length: 73:22 min
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Tracks of Best Of:
James.mp3
1972.mp3
Love Vibration.mp3
Rise.mp3
Under Your Charms.mp3
Under Clod Blue Stars.mp3
Laughter.mp3
Late Night Conversation.mp3
Come Back.mp3
65.mp3
Slaveship.mp3
Directions.mp3
Parts E Acessories.mp3
Ugly Stories.mp3
A Simple Thing.mp3
Feeling No Pain.mp3
Miracle.mp3
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| | Josh Rouse [ mp3 ]album: Vanilla Sky format: mp3 release: 2001 year bitrate: 192 length: 73:58 min
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Tracks of Vanilla Sky:
All The Right Friends.mp3
Everything In It's Right Place.mp3
Vanilla Sky.mp3
Solsbury Hill.mp3
I Fall Apart.mp3
Porpoise Song (Theme From Head).mp3
Mondo'77.mp3
Have You Forgotten.mp3
Directions.mp3
Afrika Shox.mp3
Svefn-G-Englar.mp3
Last Goodbye.mp3
Can We Still Be Friends?.mp3
Fourth Time Around.mp3
Elevator Beat.mp3
Sweetness Follows.mp3
Where Do I Begin.mp3
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News from our arhive: Zakk Wylde.Guitarist avoids trying too hard on new LP |
Even when he's not in the studio or on the road, it's hard for Black Label Society maestro Zakk Wylde to get any rest. His home, located about an hour outside of Los Angeles, is a sanctuary of sorts for wayward rockers and friends, who keep him up all night partying. His most current tenant is Phil, a noisy, obnoxious friend from New Jersey who keeps interrupting our phone interview by shouting homophobic comments.
When it becomes impossible to finish a thought, Wylde wanders outdoors so he can properly discuss his new album, Mafia. But the peace only lasts a couple of minutes. While the guitar player and singer talks about spreading the gospel of Black Label Society, the connection is pierced by what sounds like the feral roar of a chainsaw; it's actually Wylde's 11-year-old son, Jesse, baiting his dad by riding a mini motorcycle in circles around him. "He might as well have a chainsaw," Wylde growled.
Jesse isn't the only one who regularly yanks his dad's lumberjack beard. There's his co-manager and wife, Barbaranne, whom Wylde affectionately calls "My Sharon," and their other son, Hendrix, who just entered his terrible twos. Rock stars don't always make the best or most enthused parents, but for Wylde, music and family have always been inextricably intertwined. And his extended family members have been as important as his blood relatives. When Wylde was 19 years old, he was adopted by Ozzy Osbourne and his band to play on 1989's No Rest for the Wicked. For the next four years, Wylde cut his teeth touring the world with Ozzy, and performed on 1991's No More Tears and 1995's Ozzmosis before setting sail on his own the next year with his first solo album, Book of Shadows. He formed Black Label Society in 1999; six years and five albums later, what started as a side project has turned into a new musical family and a formidable rock force. With the release of the galvanic Mafia, Wylde seems on the verge of breaking Black Label Society beyond the fringes of Ozzfest and into the heavy-metal mainstream.
The album is a showcase of metallic energy that combines the stomp of Pantera, the sluggish chug and guitar squeals of Alice in Chains and the six-string virtuosity of Eddie Van Halen. And to mix things up, there's a pair of piano-fueled ballads, which demonstrate Wylde's flexibility and offer a hint of vulnerability. Mafia is easily Black Label's most mature and fully realized disc to date, one that sounds like it was carefully written and painstakingly finessed.
"To us, it's just another Black Label Society record," Wylde dismissively said. "That's how it is every time. We go in there with nothing, then we kick it around, and within an hour we have a couple songs. That's the way it should be. I think if you really try to figure out what the f--- you're doing and image yourself, then you just end up trying too hard and it doesn't sound real."
Whatever they're doing, Black Label Society are on the right track. Last week, "Suicide Messiah," the first single from the album, was the #1 most-added song at mainstream and active rock radio, which should help build buzz and anticipation for the LP's March 8 release. The song is a crunchy, pounding slugfest with shuddering vocals that sound like a cross between Ozzy and Axl Rose. But while the sound is basically familiar, the subject matter is new for Wylde.
"It's my take on power trips and the way people follow blindly, whether it's Jesus or George Bush or one of those freaks overseas that we're fighting a war against," he explained. "People always need something to put their faith in and they choose these power-crazy mother----ers in the name of religion." For Wylde, this is an epiphany. That he's incorporated the idea into lyrics for his new album is even more revelatory. After all, here's a wild-eyed guy whose drinking exploits are as legendary as his outstanding guitar playing — a dude who has crashed cars into trees for kicks.
"In the world we live in these days, how can you not touch on politics?" he said. "But that doesn't mean I don't still like to have a good time and do crazy sh--. If there isn't something crazy that goes on in the span of the day then something's not right."
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