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| | Joseph Arthur download mp3 | |  | 
| | Joseph Arthur [ mp3 ]album: Come To Where I'm From
format: mp3
release: 2000
bitrate: 192
length: 56:00 min
| | |
 Tracks of Come To Where I'm From:
 In The Sun.mp3
Ashes Everywhere.mp3
Chemical.mp3
History.mp3
Invisible Hands.mp3
Cockroach.mp3
Exhausted.mp3
Eyes On My Back.mp3
Tattoo.mp3
The Real You.mp3
Creation Or A Stain.mp3
Speed Of Light.mp3
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| | Joseph Arthur [ mp3 ]album: Redemption's Son
format: mp3
release: 2002
bitrate: 224
length: 73:15 min
| | |
Tracks of Redemption's Son:Redemption's Son.mp3
Honey And The Moon.mp3
You Could Be In Jail.mp3
I Would Rather Hide.mp3
Innocent World.mp3
September Baby.mp3
Nation Of Slaves.mp3
Evidence.mp3
Buya Bag.mp3
Termite Song.mp3
Permission.mp3
Favorite Girl.mp3
You Are In The Dark.mp3
In The Night.mp3
Bluelips.mp3
You've Been Loved.mp3
| | | | 
| | Joseph Arthur [ mp3 ]album: Vacancy
format: mp3
release: 1999
bitrate: 192
length: 32:24 min
| | |
Tracks of Vacancy:Hang Around Here.mp3
Bed Of Nails.mp3
Prison.mp3
Making Mistakes.mp3
Vacancy.mp3
Crying On Sunday.mp3
Toxic Angel.mp3
| | | | 
| | Joseph Arthur [ mp3 ]album: Shrek 2
format: mp3
release: 2004 year
bitrate: 224
length: 47:33 min
| | |
Tracks of Shrek 2:Accidentally In Love.mp3
Holding Out For A Hero.mp3
Changes.mp3
As Lovers Go (Ron Fair Remix).mp3
Funkytown.mp3
I'm On My Way.mp3
I Need Some Sleep.mp3
Ever Fallen In Love.mp3
Little Drop Of Poison.mp3
You're So True.mp3
People Ain't No Good.mp3
Fairy Godmother Song.mp3
Livin' La Vida Loca.mp3
Holding Out For A Hero (Bonus Track).mp3
| | | | 
| | Joseph Arthur [ mp3 ]album: American Wedding
format: mp3
release: 2003 year
bitrate: 320
length: 60:58 min
| | |
Tracks of American Wedding:Times Like These.mp3
Anthem.mp3
Forget Everything.mp3
Hell Song.mp3
Swing, Swing.mp3
I Don't Give.mp3
Laid.mp3
Art Of Losing.mp3
Fever For The Flava.mp3
Give Up The Grudge.mp3
Bouncing Off The Walls.mp3
Come Back Around.mp3
Any Other Girl.mp3
Beloved.mp3
Calling You.mp3
Honey & The Moon.mp3
Into The Mystic.mp3
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News from our arhive: Zakk Wylde.Guitarist avoids trying too hard on new LP |
Even when he's not in the studio or on the road, it's hard for Black Label Society maestro Zakk Wylde to get any rest. His home, located about an hour outside of Los Angeles, is a sanctuary of sorts for wayward rockers and friends, who keep him up all night partying. His most current tenant is Phil, a noisy, obnoxious friend from New Jersey who keeps interrupting our phone interview by shouting homophobic comments.
When it becomes impossible to finish a thought, Wylde wanders outdoors so he can properly discuss his new album, Mafia. But the peace only lasts a couple of minutes. While the guitar player and singer talks about spreading the gospel of Black Label Society, the connection is pierced by what sounds like the feral roar of a chainsaw; it's actually Wylde's 11-year-old son, Jesse, baiting his dad by riding a mini motorcycle in circles around him. "He might as well have a chainsaw," Wylde growled.
Jesse isn't the only one who regularly yanks his dad's lumberjack beard. There's his co-manager and wife, Barbaranne, whom Wylde affectionately calls "My Sharon," and their other son, Hendrix, who just entered his terrible twos. Rock stars don't always make the best or most enthused parents, but for Wylde, music and family have always been inextricably intertwined. And his extended family members have been as important as his blood relatives. When Wylde was 19 years old, he was adopted by Ozzy Osbourne and his band to play on 1989's No Rest for the Wicked. For the next four years, Wylde cut his teeth touring the world with Ozzy, and performed on 1991's No More Tears and 1995's Ozzmosis before setting sail on his own the next year with his first solo album, Book of Shadows. He formed Black Label Society in 1999; six years and five albums later, what started as a side project has turned into a new musical family and a formidable rock force. With the release of the galvanic Mafia, Wylde seems on the verge of breaking Black Label Society beyond the fringes of Ozzfest and into the heavy-metal mainstream.
The album is a showcase of metallic energy that combines the stomp of Pantera, the sluggish chug and guitar squeals of Alice in Chains and the six-string virtuosity of Eddie Van Halen. And to mix things up, there's a pair of piano-fueled ballads, which demonstrate Wylde's flexibility and offer a hint of vulnerability. Mafia is easily Black Label's most mature and fully realized disc to date, one that sounds like it was carefully written and painstakingly finessed.
"To us, it's just another Black Label Society record," Wylde dismissively said. "That's how it is every time. We go in there with nothing, then we kick it around, and within an hour we have a couple songs. That's the way it should be. I think if you really try to figure out what the f--- you're doing and image yourself, then you just end up trying too hard and it doesn't sound real."
Whatever they're doing, Black Label Society are on the right track. Last week, "Suicide Messiah," the first single from the album, was the #1 most-added song at mainstream and active rock radio, which should help build buzz and anticipation for the LP's March 8 release. The song is a crunchy, pounding slugfest with shuddering vocals that sound like a cross between Ozzy and Axl Rose. But while the sound is basically familiar, the subject matter is new for Wylde.
"It's my take on power trips and the way people follow blindly, whether it's Jesus or George Bush or one of those freaks overseas that we're fighting a war against," he explained. "People always need something to put their faith in and they choose these power-crazy mother----ers in the name of religion." For Wylde, this is an epiphany. That he's incorporated the idea into lyrics for his new album is even more revelatory. After all, here's a wild-eyed guy whose drinking exploits are as legendary as his outstanding guitar playing — a dude who has crashed cars into trees for kicks.
"In the world we live in these days, how can you not touch on politics?" he said. "But that doesn't mean I don't still like to have a good time and do crazy sh--. If there isn't something crazy that goes on in the span of the day then something's not right."
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