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| | Florida Inc. download mp3 | |  | 
| | Florida Inc. [ mp3 ]album: Let Me Love You
format: mp3
release: 2005
bitrate: 214
length: 18:22 min
| | |
 Tracks of Let Me Love You:
 Let Me Love You (Radio Mix).mp3
Let Me Love You (Extended Mix).mp3
Let Me Love You (Big Room Mix).mp3
I Need Your Lovin' (Original Radio Edit).mp3
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| | Florida Inc. [ mp3 ]album: Spring Break Vol. 2
format: mp3
release: 2004 year
bitrate: 160
length: 78:36 min
| | |
Tracks of Spring Break Vol. 2:There's Nothing (I Won't Do).mp3
Yeah Rmx.mp3
Ain't No Party.mp3
Kingston Town.mp3
Rock The Boat.mp3
Fuck It!.mp3
Rising Angel.mp3
Vago (Club Mix).mp3
Partysound Of The Century.mp3
Aiaiaiai.mp3
Heladiladilo.mp3
Ga Maar Weg.mp3
Burned With Desire.mp3
Mental Atmosphere 2004.mp3
Stuck On You.mp3
Carwash.mp3
Pump It Up (Club Mix).mp3
I Promise Myself.mp3
Rot Maar Op (EIND TUNE).mp3
| | | | ![Damn! 10 [CD 1] mp3](http://84.252.142.71/covers/small/16160.jpg)
| | Florida Inc. [ mp3 ]album: Damn! 10 [CD 1]
format: mp3
release: 2004 year
bitrate: 192
length: 74:53 min
| | |
Tracks of Damn! 10 [CD 1]:Nothing I Won't Do.mp3
Dragosta Din Tei.mp3
I Like It (Radio Edit).mp3
Cruisin' (Steve Murano Edit).mp3
If I Were You.mp3
Fuck It.mp3
Sexmachine.mp3
I Promise Myself.mp3
I Want You.mp3
Pump It Up.mp3
Everything Goes (Radio Edit).mp3
Sanctuary (Edit).mp3
Illusion.mp3
Life Is Music.mp3
Rising Angel (Radio Edit).mp3
Blaze - Right Of Way.mp3
The Answer (Electro Trancemix Edit).mp3
Neh Neh Oh Neh Neh.mp3
Morning Light 2004 (Greg Folter Mix).mp3
Traffic (DJ Montana Edit).mp3
| | | | 
| | Florida Inc. [ mp3 ]album: Happy Summer 2004 (CD2)
format: mp3
release: 2004 year
bitrate: 192
length: 73:06 min
| | |
Tracks of Happy Summer 2004 (CD2):Is It Cos Im Cool (Original Mix).mp3
Team X-Treme (Short).mp3
California Dreamin (Tek-House Single).mp3
Portugal.mp3
Fk It (I Dont Want You Back) (Radio Edit).mp3
Cha Cha Slide (Radio Mix).mp3
Fading Like A Flower (Video Edit).mp3
Major Tom (Voellig Losgeloest) (Radio).mp3
Zu Elektrisch.mp3
Get Down (Again) (Radio Edit).mp3
Silence (Vision 4).mp3
Stuck On You (Radio Version).mp3
Summer Nights (Radio Mix).mp3
On My Own.mp3
Nicht Immer Aber Jetzt (Radio Edit).mp3
Engel (Album Version).mp3
Alles Was Du Wills (Video Version).mp3
Blind (Radio Version).mp3
Survivor (Radio Version).mp3
When Dreams Come Crashing Down (Radio Edit).mp3
| | | | 
| | Florida Inc. [ mp3 ]album: Viva Eurodance 19
format: mp3
release: 2004 year
bitrate: 137
length: 79:41 min
| | |
Tracks of Viva Eurodance 19:Dragostea Din Tei.mp3
Right Or Wrong.mp3
Tanz Bambolina.mp3
Tell Me.mp3
Piece Of Heaven.mp3
Obsesion.mp3
Nocy Smak.mp3
No Gravity.mp3
Wonderful.mp3
Waiting For Me.mp3
Lonely.mp3
Floating In Love.mp3
Lemming On The Run.mp3
Olympia.mp3
Fuck It.mp3
Obsesion.mp3
My Heart Is Beating Boom Boom.mp3
Funny Day.mp3
Perfect Silence.mp3
The Second Step.mp3
Stay.mp3
Round 'N' Round.mp3
The Radio.mp3
| | | | ![Damn! 11 [CD 1] mp3](http://84.252.142.71/covers/small/23819.jpg)
| | Florida Inc. [ mp3 ]album: Damn! 11 [CD 1]
format: mp3
release: 2004 year
bitrate: 192
length: 66:26 min
| | |
Tracks of Damn! 11 [CD 1]:Viben.mp3
Calabria.mp3
Hit My Heart.mp3
First Track.mp3
You.mp3
Shake That!.mp3
Better Than Life.mp3
Love Is Gonna Save Us.mp3
Touch Me.mp3
Woz Not Woz.mp3
Love Is An Angel.mp3
Shocking Love.mp3
The Dancefloor.mp3
Here I Am (Send Me An Angel).mp3
On The Beach.mp3
Fuckin' Fresh Beatz.mp3
I Need Your Lovin'.mp3
What's Up 2004.mp3
Girl (Uhh Yeah Yeah).mp3
Kosmiklove.mp3
| | | |
News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
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