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| | Danni Minogue download mp3 | |  | 
| | Danni Minogue [ mp3 ]album: Neon Nights
format: mp3
release: 2003
bitrate: 192
length: 57:13 min
| | |
 Tracks of Neon Nights:
 Put The Needle On It.mp3
Creep.mp3
I Begin To Wonder.mp3
Hey! (So What).mp3
For The Record.mp3
Mighty Fine.mp3
On The Loop.mp3
Push.mp3
Mystified.mp3
Don't Wanna Lose This Feeling.mp3
Vibe On.mp3
A Piece Of Time.mp3
Who Do You Love Now.mp3
It Won't Work Out.mp3
Come & Get It (Sebastian Krieg Remix).mp3
| | | | ![Huge Hits 2004 [CD 2] mp3](http://84.252.142.71/covers/small/12550.jpg)
| | Danni Minogue [ mp3 ]album: Huge Hits 2004 [CD 2]
format: mp3
release: 2004 year
bitrate: 192
length: 75:31 min
| | |
Tracks of Huge Hits 2004 [CD 2]:Ignition (Remix).mp3
Breathe (Rap Version).mp3
Cry Me A River.mp3
No Letting Go.mp3
Dance (With U).mp3
Scandalous (Radio Mix).mp3
Mundian To Bach Ke.mp3
Someday.mp3
Danger! High Voltage.mp3
We Just Be Dreamin'.mp3
Gossip Folks (Fatboy Slim Radio Remix).mp3
All Over.mp3
Miss Independent.mp3
I Begin To Wonder.mp3
I Can't Read You.mp3
Born To Try.mp3
Hooray Hooray (It's A Cheeky Holiday) (Radio Edit).mp3
You're A Superstar (Radio Edit).mp3
Pretty Green Eyes.mp3
World Filled With Love (Radio Edit).mp3
You Said No.mp3
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News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
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