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| | Christian Charlie download mp3 | |  | ![Complete Studio Recordings [CD 4] mp3](http://84.252.142.71/covers/small/15501.jpg)
| | Christian Charlie [ mp3 ]album: Complete Studio Recordings [CD 4]
format: mp3
release: 2001
bitrate: 96
length: 48:36 min
| | |
![Christian Charlie - Complete Studio Recordings [CD 4] download](http://www.mp3setup.com/images/track_arr.gif) Tracks of Complete Studio Recordings [CD 4]:
 Homeward Bound (Flying Home).mp3
Breakfast Feud.mp3
Ad-Lib Blue.mp3
I Never Knew.mp3
Dickie's Dream (Charlie's Dream).mp3
Dickie's Dream (Lester's Dream).mp3
Wholly Cats.mp3
Profoundly Blue No. 2.mp3
Riffin' Around (Flying Home).mp3
Smo-O-O-Oth One.mp3
I Can't Believe That You're In Love With Me.mp3
Rose Room/I Hadn't Anyone Till You.mp3
Blues In B.mp3
| | | | ![Complete Studio Recordings [CD 3] mp3](http://84.252.142.71/covers/small/15502.jpg)
| | Christian Charlie [ mp3 ]album: Complete Studio Recordings [CD 3]
format: mp3
release: 2001
bitrate: 96
length: 66:36 min
| | |
Tracks of Complete Studio Recordings [CD 3]:Wholly Cats.mp3
Royal Garden Blues.mp3
As Long As I Live.mp3
Benny's Bugle.mp3
Breakfast Feud.mp3
I Can't Give You Anything But Love.mp3
Gone With What Draft.mp3
Breakfast Feud.mp3
On The Alamo.mp3
I Found A New Baby.mp3
Gone With What Draft.mp3
Bugle Call Rag.mp3
One O'clock Jump.mp3
Jammin' In Four.mp3
Edmond Hall Blues.mp3
Profoundly Blue.mp3
Celestial Express.mp3
Solo Flight.mp3
A Smo-o-o-oth One.mp3
Good Enough To Keep.mp3
| | | | ![Complete Studio Recordings [CD 2] mp3](http://84.252.142.71/covers/small/15503.jpg)
| | Christian Charlie [ mp3 ]album: Complete Studio Recordings [CD 2]
format: mp3
release: 2001
bitrate: 80
length: 61:43 min
| | |
Tracks of Complete Studio Recordings [CD 2]:Honeysuckle Rose.mp3
Shivers.mp3
Ac-dc Current.mp3
I'm Confessin'.mp3
King Porter Stomp.mp3
All Star Strut.mp3
Till Tom Special.mp3
Gone With What Wind.mp3
The Sheik Of Araby.mp3
Poor Butterfly.mp3
I Surrender, Dear.mp3
Boy Meets Goy.mp3
Jusy Like Talking Candy From A Baby.mp3
Six Appeal.mp3
These Foolish Things.mp3
Good Enough To Keep.mp3
Old Fashion Love.mp3
Stardust.mp3
Exactly Like You.mp3
Wrap Your Troubles In Dreams.mp3
| | | | ![Complete Studio Recordings [CD 1] mp3](http://84.252.142.71/covers/small/15504.jpg)
| | Christian Charlie [ mp3 ]album: Complete Studio Recordings [CD 1]
format: mp3
release: 2001
bitrate: 112
length: 58:57 min
| | |
Tracks of Complete Studio Recordings [CD 1]:When The Lights Are Low.mp3
One Sweet Letter From You.mp3
Hot Mallets.mp3
Early Session Hop.mp3
Flying Home.mp3
Rose Room.mp3
Stardust.mp3
I'm On My Way From You.mp3
Haven't Named It Yet.mp3
The Heebie Jeebies Are Rockin' The Town.mp3
Deep Sea Blues.mp3
Death Letter Blues.mp3
One Hour Mama.mp3
Four Day Creep.mp3
Pink Slip Blues.mp3
Hard Time Blues.mp3
Take Him Off My Mind.mp3
Memories Of You.mp3
Soft Winds.mp3
Seven Come Eleven.mp3
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News from our arhive: Zoobombs Blowing Up In Canadian Venues |
If anyone is dying to meet the Zoobombs before one of their upcoming shows in Ontario and Quebec here's what you should do — find the coffee shop nearest to the venue and wait patiently. According to guitarist and singer Don Matsuo, the only thing the Japanese quintet relies on to fuel their mind-boggling performances are a couple of cups of java, a half-dozen apple fritters and some good conversation.
"We always try and go to a café to eat donuts and drink coffee before a show," explains Matsuo. "We like to talk about how everyone's day has gone and try to find something to laugh about." Spending time together and truly getting to know each other is high on The Zoobombs' list of priorities. Matsuo feels that interacting with one another away from the group has a positive effect and ultimately strengthens the band. "The relationship between all of us is the most important thing for us," he says. "If we have no understanding of each other, trying to make music will be a struggle. However, if we respect and trust one another the music will be very beautiful."
The Tokyo-based act released their most recent effort, New San Francisco, in Japan this past October. Since their inception in 1994, the group have constantly been tweaking their songwriting process in order to further develop their sound. This time around the band decided to let the bulk of the album come together naturally. With only four of the record's nine tracks written, they headed into the studio with jazz producer Syuji Kitamura. Over the next two days they just jammed together, recording over four hours of new music from which the remaining five songs were chosen.
The end result is the band's most diverse and expansive work yet. Mixing elements of rock, jazz, psychedelic pop and half a dozen other music styles, New San Francisco is damn near impossible to pigeonhole into any one genre. Although no North American release date has been scheduled, Matsuo is hopeful that someone will put it out here soon. Unfortunately the band will not be selling any copies of the record at their shows. They will, however, be bringing an album that was previously available only to members of their fan club for attendees to purchase. Entitled Vamos A Bailar, it's comprised completely of unreleased tracks and also includes early versions of a few of the songs on New San Francisco. The Zoobombs' new approach to making music has been incorporated into their live set as well. Performing without a set list, the band play whatever feels right, letting the music travel in whatever direction it chooses. Matsuo says that doing this allows the group to constantly create something new and makes things more exciting for both the spectators and the band. He admits that occasionally he is astounded by how the music evolves.
"Our way of thinking about playing and making music is very different from the past," he says. "We know that the music is born inside of us. But we don't make music, we catch it. We are always surprised to find how the music is changing. Sometimes it takes us somewhere we never imagined. That is a big surprise because we can see the music's ability. It could be said that through this we can see the ability of human beings. Once through jamming, our music changed into a Turkish rhythm. It was a very magical experience because I never listen to music like that." |
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