
| | Budgie [ mp3 ]album: Squawk format: mp3 release: 1972 bitrate: 160 length: 38:57 min
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Tracks of Squawk:
Whiskey River.mp3
Rocking Man.mp3
Rolling Home Again.mp3
Make Me Happy.mp3
Hot As A Docker's Armpit.mp3
Drugstore Woman.mp3
Bottled.mp3
Young Is A World.mp3
Stranded.mp3
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| | Budgie [ mp3 ]album: In For The Kill format: mp3 release: 1974 bitrate: 160 length: 41:36 min
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Tracks of In For The Kill:
In For The Kill.mp3
Crash Course In Brain Surgery.mp3
Wondering What Everyone Knows.mp3
Zoom Club.mp3
Hammer And Tongs.mp3
Running From My Soul.mp3
Living On Your Own.mp3
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| | Budgie [ mp3 ]album: Bandolier format: mp3 release: 1975 bitrate: 160 length: 34:21 min
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Tracks of Bandolier:
Breaking All The House Rules.mp3
Slipaway.mp3
Who Do You Want For Your Love-.mp3
I Can't See My Feelings.mp3
I Ain't No Mountain.mp3
Napoleon Bona Part One & Two.mp3
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| | Budgie [ mp3 ]album: If I Were Brittania I'd Waive The Rules format: mp3 release: 1976 bitrate: 160 length: 36:13 min
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Tracks of If I Were Brittania I'd Waive The Rules:
Anne Neggen.mp3
If I Were Brittania I'd Waive The Rules.mp3
You're Opening Doors.mp3
Quacktor And Bureaucats.mp3
Sky High Percentage.mp3
Heaven Knows Our Name.mp3
Black Velvet Stallion.mp3
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| | Budgie [ mp3 ]album: Impeckable format: mp3 release: 1978 bitrate: 160 length: 41:12 min
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Tracks of Impeckable:
Melt The Ice Away.mp3
Love For You And Me.mp3
All At Sea.mp3
Dish It Up.mp3
Pyramids.mp3
Smile Boy Smile.mp3
I'm A Faker Too.mp3
Don't Go Away.mp3
Don't Dilute The Water.mp3
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| | Budgie [ mp3 ]album: Power Supply format: mp3 release: 1980 bitrate: 160 length: 56:54 min
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Tracks of Power Supply:
Forearm Smash.mp3
Hellbender.mp3
Heavy Revolution.mp3
Gunslinger.mp3
Power Supply.mp3
Secrets In My Head.mp3
Time To Remember.mp3
Crime Against The World.mp3
Wild Fire.mp3
High School Girls.mp3
Panzer Division Destroyed.mp3
Lies Of Jim (The E-Type Lover).mp3
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| | Budgie [ mp3 ]album: Never Turn Your Back on a Friend format: mp3 release: 1973 bitrate: 192 length: 42:26 min
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Tracks of Never Turn Your Back on a Friend:
Breadfan.mp3
Baby Please Don't Go.mp3
You Know I'll Always Love You.mp3
You're The Biggest Thing Since Powdered Milk.mp3
In The Grip Of The Tyrefitter's Hands.mp3
Riding My Nightmare.mp3
Parents.mp3
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News from our arhive: Zoobombs Blowing Up In Canadian Venues |
If anyone is dying to meet the Zoobombs before one of their upcoming shows in Ontario and Quebec here's what you should do — find the coffee shop nearest to the venue and wait patiently. According to guitarist and singer Don Matsuo, the only thing the Japanese quintet relies on to fuel their mind-boggling performances are a couple of cups of java, a half-dozen apple fritters and some good conversation.
"We always try and go to a café to eat donuts and drink coffee before a show," explains Matsuo. "We like to talk about how everyone's day has gone and try to find something to laugh about." Spending time together and truly getting to know each other is high on The Zoobombs' list of priorities. Matsuo feels that interacting with one another away from the group has a positive effect and ultimately strengthens the band. "The relationship between all of us is the most important thing for us," he says. "If we have no understanding of each other, trying to make music will be a struggle. However, if we respect and trust one another the music will be very beautiful."
The Tokyo-based act released their most recent effort, New San Francisco, in Japan this past October. Since their inception in 1994, the group have constantly been tweaking their songwriting process in order to further develop their sound. This time around the band decided to let the bulk of the album come together naturally. With only four of the record's nine tracks written, they headed into the studio with jazz producer Syuji Kitamura. Over the next two days they just jammed together, recording over four hours of new music from which the remaining five songs were chosen.
The end result is the band's most diverse and expansive work yet. Mixing elements of rock, jazz, psychedelic pop and half a dozen other music styles, New San Francisco is damn near impossible to pigeonhole into any one genre. Although no North American release date has been scheduled, Matsuo is hopeful that someone will put it out here soon. Unfortunately the band will not be selling any copies of the record at their shows. They will, however, be bringing an album that was previously available only to members of their fan club for attendees to purchase. Entitled Vamos A Bailar, it's comprised completely of unreleased tracks and also includes early versions of a few of the songs on New San Francisco. The Zoobombs' new approach to making music has been incorporated into their live set as well. Performing without a set list, the band play whatever feels right, letting the music travel in whatever direction it chooses. Matsuo says that doing this allows the group to constantly create something new and makes things more exciting for both the spectators and the band. He admits that occasionally he is astounded by how the music evolves.
"Our way of thinking about playing and making music is very different from the past," he says. "We know that the music is born inside of us. But we don't make music, we catch it. We are always surprised to find how the music is changing. Sometimes it takes us somewhere we never imagined. That is a big surprise because we can see the music's ability. It could be said that through this we can see the ability of human beings. Once through jamming, our music changed into a Turkish rhythm. It was a very magical experience because I never listen to music like that." |
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