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| | Bejay download mp3 | |  | 
| | Bejay [ mp3 ]album: The Ultimate Club Experience. Up All Night (CD 2) format: mp3 release: 2003 year bitrate: 192 length: 75:03 min
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Tracks of The Ultimate Club Experience. Up All Night (CD 2):
Weekend! [extended Mix].mp3
The Opera Song (Brave New World).mp3
I'll Be Your Angel.mp3
The Way (Put Your Hands In My Hand).mp3
Fallin'.mp3
You're A Superstar.mp3
Damaged [artica Remix].mp3
Freeloader.mp3
Power Of Love [kenny Hayes Remix].mp3
Kiss This [voodoo & Serano Remix].mp3
Can You Feel It?.mp3
Open Your Eyes [scott Brown Mix].mp3
Shake Ya Shimmy (feat 750 Boyz).mp3
Human Beings [album Mix].mp3
Something Real [energy Mix].mp3
Loving You '03.mp3
Save A Prayer [LMC Mix].mp3
Show Me Love.mp3
Nothing.mp3
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| | Bejay [ mp3 ]album: Trance Voices Vol.7 (CD2) format: mp3 release: 2003 year bitrate: 192 length: 70:01 min
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Tracks of Trance Voices Vol.7 (CD2):
I Don't Wanna Stop.mp3
Love On The Run.mp3
Destroy She Said.mp3
Secret Love.mp3
Connected.mp3
Star For Me.mp3
5 Million Miles.mp3
The Awakening.mp3
The Way.mp3
Sky.mp3
Pray.mp3
Amigos Forever.mp3
I Will Find You 2002.mp3
Save A Prayer.mp3
People Are People.mp3
Don't Break My Heart.mp3
Nothing's Gonna Change My Love 4 U.mp3
Just More.mp3
I'll Be Your Angel.mp3
Sailing.mp3
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| | Bejay [ mp3 ]album: Clubmix 2003 (CD1) format: mp3 release: 2003 year bitrate: 128 length: 78:31 min
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Tracks of Clubmix 2003 (CD1):
The Opera Song (Brave New World).mp3
All The Things She Said (Extension 119 Club Vocal).mp3
Forever Young.mp3
Hard To Say I'm Sorry.mp3
Am I On Your Mind (Rezonance Q Mix).mp3
Sound Of The Underground (Exclusive Flip & Fill Remix).mp3
Dance.mp3
Heaven Is A Place On Earth (Pascal Mix).mp3
Land Of The Living.mp3
Save A Prayer (LMC Mix).mp3
Missing You (Kenny Hayes Club Mix).mp3
Heaven Is Closer (Feels Like Heaven).mp3
Friends (Contact Club Mix).mp3
Revolution.mp3
Forever.mp3
Music Gets The Best Of Me (Flip & Fill Remix).mp3
Welcome To Tomorrow.mp3
Right Here Waiting (DJ BW Vs Drunkenmunkey Remix).mp3
Shake Ya Shimmy (Flip & Fill Mix).mp3
Posse.mp3
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News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
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