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| | Bebel Gilberto download mp3 | |  | 
| | Bebel Gilberto [ mp3 ]album: Divas Cantam Chico
format: mp3
release: 2004 year
bitrate: 192
length: 47:58 min
| | |
 Tracks of Divas Cantam Chico:
 Yolanda.mp3
O Meu Amor.mp3
Folhetim.mp3
Terezinha.mp3
A Banda.mp3
Morro Dois Irmos.mp3
Morena De Angola.mp3
Sob Medida.mp3
Pedao De Mim.mp3
Atrs Da Porta.mp3
Beatriz.mp3
Eu Te Amo.mp3
Samba E Amor.mp3
Basta Um Dia.mp3
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| | Bebel Gilberto [ mp3 ]album: Famous: The Finest Female Jazz Today, Vol. 1
format: mp3
release: 2002 year
bitrate: 192
length: 72:47 min
| | |
Tracks of Famous: The Finest Female Jazz Today, Vol. 1:Keep On Backing Losers.mp3
Rivers Of Love.mp3
Close Your Eyes.mp3
Let's Face The Music And Dance.mp3
Hit The Road To Dreamland.mp3
High Heels.mp3
Trust In Me.mp3
Wait Till You See Him.mp3
Ghosts.mp3
Can't Get You Out Of My Head.mp3
What A Difference A Day Makes.mp3
Tell Me All About It.mp3
You.mp3
Those Who Were.mp3
Round Midnight.mp3
On The Sunny Side Of The Street.mp3
I Get A Kick Out Of You.mp3
| | | | 
| | Bebel Gilberto [ mp3 ]album: Famous: The Finest Female Jazz Today, Vol. 3
format: mp3
release: 2004 year
bitrate: 192
length: 79:39 min
| | |
Tracks of Famous: The Finest Female Jazz Today, Vol. 3:Temptation.mp3
Lonesome Road.mp3
Heart Of Mine.mp3
Lead The Way.mp3
Dreams.mp3
Cover Me With Snow.mp3
From Day To Day.mp3
You Send Me Flowers.mp3
Shall We Dance.mp3
Nee Dance La Nature.mp3
All Around.mp3
One Evening.mp3
Shadow.mp3
Sweet Dreamin'.mp3
Up On The Roof.mp3
Here Is Everything.mp3
Dance With Me.mp3
Nocturne For The Blues.mp3
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| | Bebel Gilberto [ mp3 ]album: Six Feet Under: Everything Ends (Vol. 2)
format: mp3
release: 2005 year
bitrate: 168
length: 45:19 min
| | |
Tracks of Six Feet Under: Everything Ends (Vol. 2):Feelin' Good.mp3
A Rush Of Blood To The Head.mp3
Breathe Me.mp3
Everything Is Everything.mp3
Time Is On My Side.mp3
Lucky.mp3
Amazing Life.mp3
Aganju (The Latin Project Remix Edit).mp3
Don't Fear The Reaper.mp3
Transatlanticism.mp3
Outro.mp3
| | | |
News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
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