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| | Azad download mp3 | |  | 
| | Azad [ mp3 ]album: One
format: mp3
release: 2005
bitrate: 192
length: 45:48 min
| | |
 Tracks of One:
 Intro.mp3
Monstershit.mp3
All 4 One.mp3
Banana 2.mp3
Tollwut.mp3
No No No.mp3
Bis Ihr Nicht Mehr Koennt.mp3
Guck My Man.mp3
Ich Bin Rap.mp3
Alles Was Geht.mp3
War.mp3
Panik (Skit).mp3
Was Hab Ich Dir Angetan.mp3
Monstershit (Amargeddon Remix).mp3
| | | | ![Bravo Hits 48 [CD 1] mp3](http://84.252.142.71/covers/small/28810.jpg)
| | Azad [ mp3 ]album: Bravo Hits 48 [CD 1]
format: mp3
release: 2005 year
bitrate: 192
length: 68:38 min
| | |
Tracks of Bravo Hits 48 [CD 1]:From Zero To Hero.mp3
Emanuela.mp3
Chipz In Black.mp3
Femme Like You.mp3
Get Right.mp3
Caught Up.mp3
Do Something.mp3
Only U.mp3
Locked Up.mp3
Meine Kette.mp3
I Believe In You.mp3
Ordinary Life.mp3
Alive.mp3
Amazing Life.mp3
Outta Space.mp3
Out Of Touch.mp3
Falling Stars.mp3
One Night In Bangkok.mp3
Suavemente.mp3
What A Feeling (Flashdance).mp3
| | | | ![Bravo Black Hits Vol. 12 [CD 1] mp3](http://84.252.142.71/covers/small/28869.jpg)
| | Azad [ mp3 ]album: Bravo Black Hits Vol. 12 [CD 1]
format: mp3
release: 2005 year
bitrate: 192
length: 78:26 min
| | |
Tracks of Bravo Black Hits Vol. 12 [CD 1]:How We Do.mp3
Caught Up.mp3
Nasty Girl.mp3
I Am.mp3
Lose My Breath.mp3
Only U.mp3
Locked Up.mp3
Isyankar.mp3
Intoxication.mp3
Whatever U Want.mp3
Hush.mp3
Goodies.mp3
Breath.mp3
Turnin' Me On.mp3
Hey Now.mp3
Lean Back.mp3
Culo.mp3
My Band.mp3
Geboren.mp3
Monsterhit.mp3
Emanuela.mp3
| | | |
News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
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