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| | Arrival download mp3 | |  | 
| | Arrival [ mp3 ]album: Douse - Born In Chillout
format: mp3
release: 1997
bitrate: 256
length: 59:53 min
| | |
 Tracks of Douse - Born In Chillout:
 Astral Polyphony.mp3
You're L.F.O. Night.mp3
Ambient Sounds.mp3
Two Arpedgiators.mp3
Figure Of Eight.mp3
Hey Day.mp3
Inflate.mp3
Sadness.mp3
Birds.mp3
Born In Chillout (ArpedgiatorM).mp3
Astral Polyphony (MegaBUS RMX).mp3
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| | Arrival [ mp3 ]album: Teleportation
format: mp3
release: 1999
bitrate: 128
length: 67:35 min
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Tracks of Teleportation:St.Valentine.mp3
From Moscow To Krasnoyarsk.mp3
Vesna # 2.mp3
Kazantip.mp3
Love Sanremo.mp3
Хорошо!.mp3
Менты (original sound track).mp3
Electic Dance Muzic.mp3
Зашибись (LP mix).mp3
I Love Your Frequency.mp3
Love Sanremo (rezon A19 Mix).mp3
Хорошо! (breakbeat rmx).mp3
Позвони мне завтра.mp3
| | | | 
| | Arrival [ mp3 ]album: Простые слова
format: mp3
release: 2003
bitrate: 320
length: 72:26 min
| | |
Tracks of Простые слова:Преамбула 1.mp3
Простые слова.mp3
Механический дождь.mp3
Экологический сюрреализм.mp3
Song 4.mp3
Мелодекламация.mp3
Ты так считаешь-общение с ветром (Royal mix).mp3
Проект 143В-методом.mp3
Все как всегда.mp3
Пространство и время (129-129 Disco remix).mp3
Untitled-instr..mp3
Простые слова (Midem special remix).mp3
Преамбула 2.mp3
It's not allowed greenpeace.mp3
На большие куски! (Melodeklamation remix).mp3
Agressive of mind.mp3
Glucogenology.mp3
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News from our arhive: Releases:50 Cent, Mando Diao, The Cape May |
50 CENT The Massacre (Shady/Aftermath/Interscope/Universal) On the strength of a multi-platinum debut record, 50 Cent got rich and didn’t die trying and now the chiseled superstar isn’t looking to mess with the formula. The Massacre beats the usual gangsta tropes to death — Fiddy will kill you if you mess with him, Fiddy’s got lots of money and Fiddy can get any "bitch" he wants. He does deserve credit for doing most of the heavy lifting — The Massacre is mercifully light on guest cameos — and for his charismatic command of the mic, but these skills are wasted on a record that celebrates street life without saying anything new about it. 50 FOOT WAVE Golden Ocean (4AD/Beggars) Someone once wrote that the holy trinity of rock is comprised of The Beatles, The Who and The Pixies. If Golden Ocean is any indication, then a career can be fashioned by aping just one of these triumvirates. 50 Foot Wave swipe The Pixies playbook wholesale, swapping Frank Black’s manic singing with Kristin Hersh’s (Throwing Muses, soloist) gravelly, Janis Joplin-gone-stark-raving-mad caterwauling. This is the antithesis of the punk ethos — instead of inspiration before musical talent, these guys deliver technical expertise with tired, retread concepts. It’s bands like 50 Foot Wave who make the recent Pixie reformation redundant. BELINDA BRUCE Dream Yourself Awake (Maximum/Universal) The first album from the Vancouver-based Belinda Bruce makes for a great campfire soundtrack, drifting along on gentle, unassuming melodies and low-fi intimacy. Bruce’s voice isn’t a powerhouse instrument, especially compared with a couple of certain Sarahs who traffic in the same kind of sound, but when it’s laid over softly-plucked guitars and brooding cellos it takes on a uniquely ethereal quality. Though it too often displays the singer’s maddening tendency to under-enunciate and murk up her lyrics, Dream Yourself Awake introduces Bruce as a master of grown-up lullabies and a worthwhile addition to the female singer-songwriter tradition. |
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