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| | Adam Sandler download mp3 | |  | 
| | Adam Sandler [ mp3 ]album: They're All Gonna Laugh At You!
format: mp3
release: 1993
bitrate: 224
length: 54:35 min
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 Tracks of They're All Gonna Laugh At You!:
 Assistant Principals Big Day.mp3
Buffoon And The Dean Of Admissions.mp3
Buddy.mp3
Longest Pee.mp3
Food Innuendo Guy.mp3
Beating Of A High School Teacher.mp3
Right Field.mp3
Buffoon And The Valedictorian.mp3
Mr. Spidels Phone Call.mp3
Thanksgiving Song.mp3
Beating Of A High School Bus Driver.mp3
Oh Mom.mp3
Fatty Mcgee.mp3
At A Medium Pace.mp3
Beating Of A High School Science Teacher.mp3
Cheerleader.mp3
I'm So Wasted.mp3
Lunchlady Land.mp3
Beating Of High School Spanish Teacher.mp3
Toll Booth Willie.mp3
Teenage Love On The Phone.mp3
My Little Chicken.mp3
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| | Adam Sandler [ mp3 ]album: Shhh...Don't Tell
format: mp3
release: 2004
bitrate: 160
length: 77:03 min
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Tracks of Shhh...Don't Tell:Sid And Alex.mp3
Pibb Goes Surfing.mp3
The Amazing Willy Wanker.mp3
Gay Robot.mp3
Pibb Tries The Skateboarding.mp3
Creepin' On The Mayor.mp3
The Mayor Of Pussytown.mp3
Timmy Tinyhole.mp3
Pibb Takes The Mexican ATV Tour.mp3
Wolfman.mp3
Secret.mp3
The Boss And The Secretary.mp3
Best Friend.mp3
Pibb Needs The Hot Rocks.mp3
The Mule Session.mp3
Newlyweds, Sleepyheads.mp3
Calling Home.mp3
Mr.I Do And The Doo Doos.mp3
Whore! Where Are You?!.mp3
Stan The Man.mp3
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| | Adam Sandler [ mp3 ]album: 50 First Dates
format: mp3
release: 2004 year
bitrate: 128
length: 49:41 min
| | |
Tracks of 50 First Dates:Hold Me Now.mp3
Love Song.mp3
Lips Like Sugar.mp3
Your Love.mp3
Drive.mp3
True.mp3
Slave To Love.mp3
Every Breath You Take.mp3
Ghost In You.mp3
Friday I'm In Love.mp3
Breakfast In Bed.mp3
I Melt With You.mp3
Forgetful Lucy.mp3
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News from our arhive: Backstreet Set Out To Prove Themselves At NY Club |
NEW YORK — It's easy to make fun of the Backstreet Boys — and blame them for the bygone boy-band era, which appealed largely to pre-pubescent girls (read: non-discriminating music fans) on the basis that they were safe to crush on. To swap from being a throwback to having a comeback, the Boys are going to have to prove a lot — like that they're still relevant, that they're more than pretty faces, and that they're all grown up now — which is why they're road-testing a chunk of new material on a club tour that kicked off with a two-night stand at Irving Plaza on Monday and Tuesday.
Backstreet previewed a half dozen new songs, interspersed with a collection of their greatest hits Tuesday on Irving Plaza's small stage — perhaps not the best place to move around in synchronized formation in their matching white dinner jackets and white fedoras. They tried to have some fun with the tight space — as well as break out of the box, climbing on speakers and reaching out to female fans in the crowd and up on the balcony. But perhaps most telling was when it came time for a new song, they took off the jackets, dropped the choreography and just sang. That's ultimately what's going to be the test — does the harmonizing hold up? Are the new songs any good?
The new material is decidedly more mature, less bubbly and sappy than their guilty pleasure hits like "I Want It That Way" and "Shape of My Heart" — with the juxtaposition all the more clear in a set list that jumped back and forth between old and new. With the help of songwriting partners that took them in more of a light rock direction, new songs like "I Still" and the uplifting "Weird World" sound at home in a Maroon 5 world, a transition they seem eager to make. The difference, though, is that while Backstreet are a band, they're also not, really — not in a rock sense. While Nick Carter tried to change that perception by picking up a six-string during the wistful, guitar-driven "Climbing the Walls" and playing along with the live backing band, the fact remains — they're a vocal group. That said, Backstreet seem to have figured out that their best vocalists are A.J. McLean, Nick Carter and Brian Littrell, as they handled most of the verses and solos on the new songs, with Kevin Richardson and Howie Dorough relegated to backup. McLean sings the bulk of the verses of the power ballad "Incomplete," trading off with Carter for the chorus, who sings the bluesy ending to "Beautiful Woman" and owns "Poster Girl," a sweet ode to a party girl with a taste for danger (Paris, anyone?). Where Littrell came off as too earnest and Richardson as too serious, McLean and Carter seemed the most at home with the new direction — their voices were smooth, their moves casual and seemingly effortless even when obviously choreographed. They also seemed to be having the most fun with it, and with each other — leaning on one another, singing to each other, and trading silly stage banter about the meaning of songs and life. Because no matter how seriously the Backstreet Boys want to be taken now, they didn't take themselves too seriously — which is the only way they're going to win us over again. |
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